Policing Silent Film Exhibition in Colonial South India (English)

In: Making meaning in Indian cinema   ;  39-64  ;  2000

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Table of contents conference proceedings

The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.

39
Policing Silent Film Exhibition in Colonial South India
Hughes, S. P. / Indian Institute for Advanced Studies | 2000
65
Parasakthi: Life and Times of a DMK Film
Pandian, M. S. S. / Indian Institute for Advanced Studies | 2000
99
Shifting Codes, Dissolving Identities: The Hindi Social Film of the 1950s as Popular Culture
Vasudevan, R. S. / Indian Institute for Advanced Studies | 2000
122
The Couple and Their Spaces: Harano Sur as Melodrama Now
Biswas, M. / Indian Institute for Advanced Studies | 2000
145
Signs of Ideological Re-form in Two Recent Films: Towards Real Subsumption?
Prasad, M. M. / Indian Institute for Advanced Studies | 2000
168
Narrating Seduction: Vicissitudes of the Sexed Subject in Tamil Nativity Film
Kaali, S. / Indian Institute for Advanced Studies | 2000
191
Kaadalan and the Politics of Resignification: Fashion, Violence and the Body
Dhareshwar, V. / Niranjana, T. / Indian Institute for Advanced Studies | 2000
215
Avenging Women in Indian Cinema
Gopalan, L. / Indian Institute for Advanced Studies | 2000
238
From Subjectification to Schizophrenia: The `Angry Man' and the `Psychotic' Hero of Bombay Cinema
Mazumdar, R. / Indian Institute for Advanced Studies | 2000
267
Viewership and Democracy in the Cinema
Rajadhyaksha, A. / Indian Institute for Advanced Studies | 2000
297
Devotion and Defiance in Fan Activity
Srinivas, S. V. / Indian Institute for Advanced Studies | 2000
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