"That's Jazz Made in Germany!": Hallo, Fraulein! and the Limits of Democratic Pedagogy (English)
- New search for: Fay, J.
- New search for: Fay, J.
In:
CINEMA JOURNAL
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44
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3-24
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2004
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ISSN:
- Article (Journal) / Print
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Title:"That's Jazz Made in Germany!": Hallo, Fraulein! and the Limits of Democratic Pedagogy
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Contributors:Fay, J. ( author )
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Published in:CINEMA JOURNAL ; 44 ; 3-24
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Publisher:
- New search for: THE UNIVERSITY OF TEXAS PRESS
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Publication date:2004-01-01
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Size:22 pages
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ISSN:
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Type of media:Article (Journal)
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Type of material:Print
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Language:English
- New search for: 791.43
- Further information on Dewey Decimal Classification
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Classification:
DDC: 791.43 -
Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents – Volume 44
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 3
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"That's Jazz Made in Germany!": Hallo, Fraulein! and the Limits of Democratic PedagogyFay, J. et al. | 2004
- 3
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"Made for the Masses with an Appeal to the Classes": The Triangle Film Corporation and the Failure of Highbrow Film CultureKing, R. et al. | 2005
- 3
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Yongzheng Dynasty and Chinese Primetime Television DramaZhu, Y. et al. | 2005
- 3
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Imagining and Promoting the Small-Town TheaterWaller, G. A. et al. | 2005
- 18
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Some Like It Cold: Fetishism in Billy Wilder's Double IndemnityManon, H. S. et al. | 2005
- 20
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"Right and Wrong; That's [Not] All There Is to It!" Young Mr. Lincoln and American LawWexman, V. W. et al. | 2005
- 25
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Disabling African American Men: Liberalism and Race Message FilmsNickel, J. et al. | 2004
- 34
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The Mulatto Cyborg: Imagining a Multiracial FutureNishime, L. et al. | 2005
- 35
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Cinema and the Civilizing Process: Rethinking Violence in the World War II Combat FilmSlocum, J. D. et al. | 2005
- 44
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Transnational Maleness: The Italian Immigrant in Hell DriversGirelli, E. et al. | 2005
- 49
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"You're Next!": Postwar Hegemony Besieged in Invasion of the Body SnatchersMann, K. et al. | 2004
- 50
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The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will SurviveBeltran, M. C. et al. | 2005
- 57
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Side of the Angels: Dalton Trumbo, the Hollywood Trade Press, and the BlacklistPalmer, T. et al. | 2005
- 64
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"Oh, I See....": The Birds and the Culmination of Hitchcock's Hyper-Romantic VisionMcCombe, J. P. et al. | 2005
- 68
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The (Un)Speakable FEMININITY in Mainstream Movies: Jane Campion's The PianoBihlmeyer, J. et al. | 2005
- 69
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"Too Close for Comfort": American Beauty and the Incest MotifKarlyn, K. R. et al. | 2004
- 75
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In Focus: Children of the Blacklist, an Extended FamilyRapf, J. E. et al. | 2005
- 89
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Restaging the War: The Deer Hunter and the Primal Scene of ViolenceChong, S. S. H. et al. | 2005
- 94
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In Focus: Film History, or a Baedeker Guide to the Historical TurnHigashi, S. et al. | 2004
- 107
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In Focus: Postfeminism and Contemporary Media StudiesTasker, Y. / Negra, D. et al. | 2005
- 116
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Archival NewsHiggins, S. / Ross, S. et al. | 2005
- 123
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Professional NotesThompson, K. M. / Ginsberg, T. et al. | 2005