SAMBA: Steadied Choreographies (English)

in Computational Aesthetics in Graphics, Visualization, and Imaging ; 1-9
Computational Aesthetics in Graphics, Visualization, and Imaging
The Eurographics Association , Postfach 8043, 38621 Goslar, Germany; 2012

Given the start positions of a group of dancers, a choreographer specifies their end positions and says: ''Run!'' Each dancer has the choice of his/her motion. These choices influence the perceived beauty (or grace) of the overall choreography. We report experiments with an automatic approach, SAMBA, that computes a pleasing choreography. Rossignac and Vinacua focused on affine motions, which, in the plane, correspond to choreographies for three independent dancers. They proposed the inverse of the Average Relative Acceleration (ARA) as a measure of grace and their Steady Affine Morph (SAM) as the most graceful interpolating motion. Here, we extend their approach to larger groups. We start with a discretized (uniformly time-sampled) choreography, where each dancer moves with constant speed. Each SAMBA iteration steadies the choreography by tweaking the positions of dancers at all intermediate frames towards corresponding predicted positions. The prediction for the position of dancer at a given frame is computed by using a novel combination of a distance weighted, least-squares registration between a previous and a subsequent frame and of a modified SAM interpolation. SAMBA is fully automatic, converges in a fraction of a second, and produces pleasing and interesting motions.

Commercial Copyright fee: €14.50 Basic fee: €4.00 Total price: €18.50


Students Copyright fee: €4.50 Basic fee: €2.00 Total price: €6.50

Buy PDF

Document information


Table of contents conference proceedings

The table of contents of the conference proceedings is generated automatically, so it can be incomplete, although all articles are available in the TIB.

1
SAMBA: Steadied Choreographies
Rossignac, Jarek / Luffel, Mark / Vinacua, Alvar | 2012
11
Integrarte: Digital Art Using Body Interaction
Castro, Barbara P. / Velho, L. / Kosminsky, D. | 2012
17
Sketches by Paul the Robot
Tresset, Patrick A. / Leymarie, F. Fol | 2012
25
Feedback-guided Stroke Placement for a Painting Machine
Deussen, Oliver / Lindemeier, Thomas / Pirk, Sören / Tautzenberger, Mark | 2012
35
The aMotion Toolkit: Painting with Affective Motion Textures
Lockyer, Matt / Bartram, Lyn | 2012
45
A Technique for Art Direction of Physically Based Fire Simulation
Bangalore, Ashwin / House, Donald H. | 2012
55
Evaluating Visual Aesthetics in Photographic Portraiture
Khan, Shehroz S. / Vogel, Daniel | 2012
63
Determining an Aesthetic Inscribed Curve
Wyvill, Brian / Kry, P. G. / Seidel, R. / Mould, D. | 2012
71
Developing a System of Screen-less Animation for Experiments in Perception of Movement
MacGillivray, Carol / Mathez, B. / Leymarie, F. Fol | 2012
81
Random Discrete Colour Sampling
Lieng, Henrik / Richardt, Christian / Dodgson, Neil A. | 2012
89
Exploring the Effect of Color Palette in Painterly Rendered Character Sequences
Seifi, Hasti / DiPaola, S. / Enns, J. T. | 2012
99
Duotone Surfaces
Garigipati, Pradeep / Akleman, Ergun | 2012
107
Surface Covering Curves
Xing, Q. / Akleman, Ergun / Taubin, Gabriel / Chen, J. | 2012
115
Accurate and Discernible Photocollages
Miller, Jordan / Mould, David | 2012

Similar titles