Site-specific Art and 3D: an Example of Spatial Analysis and Reconstruction (English)

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Site-specific art is a concept that goes back to the beginning of human race: the works of art were often created by artists taking into account not only their shape and appearance, but also the context in which they would be put. For this reason, moving the artifacts from its original placement (or the changes which happen around it) tend to decrease its impact, and possibly weaken its potentials. Site-specific art is a very powerful concept also for contemporary artists. This paper focuses on the analysis of L.O.V.E., a sculpture from the controversial artist Maurizio Cattelan. Cattelan donated the sculpture to Milano, under the condition that it should not be moved from its original place (in front of Milano Stock Exchange). The aim of the paper is to use 3D reconstruction techniques to show and analyse the monument, stressing its relation with the context around it. A multi-view stereo matching campaign was perfomed to have an accurate reconstruction of the context, then the photos provided by the community were integrated in the reconstruction to show the "point of view" of the people. These data provide interesting indications about the aims of the authors, and they provide additional material for the interpretation of the work of art.

Table of contents conference proceedings

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Low-Cost Real-Time 3D Reconstruction of Large-Scale Excavation Sites using an RGB-D Camera
Zollhöfer, Michael / Siegl, Christian / Riffelmacher, Bert / Vetter, Mark / Dreyer, Boris / Stamminger, Marc / Bauer, Frank | 2014
Different Photogrammetric Approaches to 3D Survey of the Mausoleum of Romulus in Rome
Adami, Andrea / Cerato, Ivana / d'Annibale, Enzo / Demetrescu, Emanuel / Ferdani, Daniele | 2014
Enhancement of MultiSpectral Images of Ancient Manuscripts
Hollaus, Fabian / Sablatnig, Robert | 2014
Towards Automated 3D Reconstruction of Defective Cultural Heritage Objects
Gregor, Robert / Sipiran, Ivan / Papaioannou, Georgios / Schreck, Tobias / Andreadis, Anthousis / Mavridis, Pavlos | 2014
MVE - A Multi-View Reconstruction Environment
Fuhrmann, Simon / Langguth, Fabian / Goesele, Michael | 2014
The Design Scope of Adaptive Storytelling in Virtual Museums
Deuschel, Tilman / Heuss, Timm / Broomfield, Christian | 2014
Digital Fabrication Technologies for Cultural Heritage (STAR)
Scopigno, Roberto / Cignoni, Paolo / Pietroni, Nico / Callieri, Marco / Dellepiane, Matteo | 2014
Interlocking Pieces for Printing Tangible Cultural Heritage Replicas
Alemanno, Giuseppe / Cignoni, Paolo / Pietroni, Nico / Ponchio, Federico / Scopigno, Roberto | 2014
Motion Analysis for Folk Dance Evaluation
Aristidou, Andreas / Stavrakis, Efstathios / Chrysanthou, Yiorgos | 2014
CultLab3D - On the Verge of 3D Mass Digitization
Santos, Pedro / Ritz, Martin / Tausch, Reimar / Schmedt, Hendrik / Monroy, Rafael / Stefano, Antonio De / Posniak, Oliver / Fuhrmann, Constanze / Fellner, Dieter W. | 2014
A TaLISMAN: Automatic Text and LIne Segmentation of historical MANuscripts
Pintus, Ruggero / Yang, Ying / Gobbetti, Enrico / Rushmeier, Holly | 2014
Extending Philological Research with Methods of 3D Computer Graphics Applied to Analysis of Cultural Heritage
Fisseler, Denis / Weichert, Frank / Müller, Gerfrid G. W. / Cammarosano, Michele | 2014
Similarity Assessment for the Analysis of 3D Artefacts
Biasotti, Silvia / Cerri, Andrea / Falcidieno, Bianca / Spagnuolo, Michela | 2014
Geometric Analysis in Cultural Heritage
Pintus, Ruggero / Pal, Kazim / Yang, Ying / Weyrich, Tim / Gobbetti, Enrico / Rushmeier, Holly | 2014
An Approach to Large Scale Interactive Retrieval of Cultural Heritage
Takami, Masato / Bell, Peter / Ommer, Björn | 2014
Measurement of Immersive Technology for Historic Scenes
McCaffery, John / Miller, Alan / Oliver, Iaina | 2014
Site-specific Art and 3D: an Example of Spatial Analysis and Reconstruction
Dellepiane, Matteo / Matteis, Mara De | 2014
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