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Those at Home Also Serve
Women's Television and Embedded Military Realism in Army Wives (Lifetime, 2006–2014)Wiley | 2016|Contributors: Cunningham, Douglas A. -
Kuwaiting for Godot
The Absurd Theatre of War in JarheadWiley | 2016|Contributors: Cunningham, Douglas A. -
Filming a Nuclear State
The USAF's Lookout Mountain LaboratoryWiley | 2016|Contributors: Cunningham, Douglas A. -
In the Exigency of a National Cause
Bollywood's Responses to the Kargil WarWiley | 2016|Contributors: Cunningham, Douglas A. -
Through a Soldier's Eyes
Stereoscopic Gazing in Operation Homecoming: Writing the Wartime ExperienceWiley | 2016|Contributors: Cunningham, Douglas A. -
“TiK ToK on the Clock, but the Party Don't Stop, No”
The Parodic Military Dance Video on YouTubeWiley | 2016|Contributors: Cunningham, Douglas A. -
Exploring War Horror's Narrative Punch in Spielberg's Munich and Saving Private Ryan
Wiley | 2016|Contributors: Cunningham, Douglas A. -
How to Recognize a War Movie
The Contemporary Science‐Fiction Blockbuster as Military Recruitment FilmWiley | 2016|Contributors: Cunningham, Douglas A. -
The Meaning of the Soldier
In the Year of the Pig and Hearts and MindsWiley | 2016|Contributors: Cunningham, Douglas A. -
Transnational Algerian War Cinema Revisited
Comic Relief in Merzak Allouache's Bab el‐oued City and Bab el‐OuedWiley | 2016|Contributors: Cunningham, Douglas A. -
“The Angels of Bataan and Corregidor”
Representing Nurses in the Pacific TheaterWiley | 2016|Contributors: Cunningham, Douglas A. -
The Wartime American Woman on Film
Home‐Front SoldierWiley | 2016|Contributors: Cunningham, Douglas A. -
Antilochus's Burden
The Crisis–Catharsis Rhetoric of Bereavement MessagesWiley | 2016|Contributors: Cunningham, Douglas A.
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