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Introduction

Origin and nature of cognitive and systematic musicology: An introduction

Systematic, cognitive and historical approaches in musicology

Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach

Gestalt concepts and music: Limitations and possibilities

Logic, gestalt theory, and neural computation in research on auditory perceptual organization

Knowledge in music theory by shapes of musical objects and sound-producing actions

Statistical gestalts — Perceptible features in serial music

“Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited

Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation

Self-organizing neural nets and the perceptual origin of the circle of fifths

A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality

‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl

Problems of shape and background in sounds with inharmonic spectra

A method of analysing harmony, based on interval patterns or “Gestalten”

Neural network models for the study of post-tonal music

Tempo relations: Is there a psychological basis for proportional tempo theory?

A framework for the subsymbolic description of meter

Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface

Effects of perceptual organization and musical form on melodic expectancies

Continuations as completions: Studying melodic expectation in the creative microdomain <Emphasis Type="Italic">Seek Well</Emphasis>

Optimizing self-organizing timbre maps: Two approaches

Towards a more general understanding of the nasality phenomenon

Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research

Cross-synthesis using interverted principal harmonic sub-spaces

Gestalt phenomena in musical texture

Technology of interpretation and expressive pulses

Intonational protention in the performance of melodic octaves on the violin

Sonological analysis of clarinet expressivity

Perceptual analysis of the musical expressive intention in a clarinet performance

Singing, mind and brain — Unit pulse, rhythm, emotion and expression

Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures

Interactive computer music systems and concepts of Gestalt

Gestalt-based composition and performance in multimodal environments

List of sound examples on the CD