``. . . I came to understand how to translate nature into colour according to the fire in my soul'': Alexej Jawlensky's painting technique in his Munich oeuvre (Englisch)
- Neue Suche nach: Fischer, U.
- Neue Suche nach: Stege, H.
- Neue Suche nach: Oggenfuss, D.
- Neue Suche nach: Tilenschi, C.
- Neue Suche nach: Willisch, S.
- Neue Suche nach: Winkelmeyer, I.
- Neue Suche nach: Fischer, U.
- Neue Suche nach: Stege, H.
- Neue Suche nach: Oggenfuss, D.
- Neue Suche nach: Tilenschi, C.
- Neue Suche nach: Willisch, S.
- Neue Suche nach: Winkelmeyer, I.
- Neue Suche nach: Saunders, D.
- Neue Suche nach: Townsend, J.
- Neue Suche nach: Woodcock, S.
In:
International Institute for Conservation of Historic and Artistic Works; The object in context crossing conservation boundaries
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49-55
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2006
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ISBN:
- Aufsatz (Konferenz) / Print
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Titel:``. . . I came to understand how to translate nature into colour according to the fire in my soul'': Alexej Jawlensky's painting technique in his Munich oeuvre
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Beteiligte:Fischer, U. ( Autor:in ) / Stege, H. ( Autor:in ) / Oggenfuss, D. ( Autor:in ) / Tilenschi, C. ( Autor:in ) / Willisch, S. ( Autor:in ) / Winkelmeyer, I. ( Autor:in ) / Saunders, D. / Townsend, J. / Woodcock, S. / International Institute for Conservation of Historic and Artistic Works
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Kongress:Congress, International Institute for Conservation of Historic and Artistic Works; The object in context crossing conservation boundaries ; 2006 ; Munich, Germany
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Erschienen in:
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Verlag:
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Erscheinungsort:London
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Erscheinungsdatum:01.01.2006
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Format / Umfang:7 pages
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Anmerkungen:English main texts with English and German absstracts; Includes bibliographic references
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ISBN:
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Medientyp:Aufsatz (Konferenz)
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Format:Print
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Sprache:Englisch
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Schlagwörter:
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Datenquelle:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Inhaltsverzeichnis Konferenzband
Die Inhaltsverzeichnisse werden automatisch erzeugt und basieren auf den im Index des TIB-Portals verfügbaren Einzelnachweisen der enthaltenen Beiträge. Die Anzeige der Inhaltsverzeichnisse kann daher unvollständig oder lückenhaft sein.
- 1
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Keeping it together: conservation, context and cultural materialsGrossman, A.K. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 7
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Christian sacred art: a conservation challengeDa Costa, A.R. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 12
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Finding the fallen: conservation and the First World WarPeters, R. / Sully, D. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 17
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Context and meaning generation: the conservation of garments deliberately concealed within buildingsEastop, D. / Dew, C. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 23
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The Tate brand: its consequences for the care and presentation of Tate collectionsRidge, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 30
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The conservator in context: crossing curatorial boundariesButtler, C. / Davis, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 34
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Vision of the Sermon by Paul Gauguin: an exploration of making and meaningStevenson, L. / Thomson, B. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 41
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Paintings are made of paint: the exhibition of painting techniques in the Munich Glaspalast, 1893Kinseher, K. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 49
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``. . . I came to understand how to translate nature into colour according to the fire in my soul'': Alexej Jawlensky's painting technique in his Munich oeuvreFischer, U. / Stege, H. / Oggenfuss, D. / Tilenschi, C. / Willisch, S. / Winkelmeyer, I. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 56
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Commedia dell'Arte: when Chagall went to FrankfurtBauer, S. / Kokkori, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 62
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Dictated by media: conservation and technical analysis of a 1938 Joan Miro canvas paintingO'Donoghue, E. / Johnson, A.M. / Mazurek, J. / Preusser, F. / Schilling, M. / Walton, M.S. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 69
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Asking for the context: conservation strategy for Joseph Beuys' The End of the Twentieth CenturyGrun, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 76
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Industrial heritage conservation: the historic diesel power station in WustermarkDempwolf, T. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 82
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Contextualizing textiles: using documentary evidence to retrieve evidence for regenerated protein fibresBrooks, M.M. / Rose, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 89
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Complementing art history: interpreting sheet metal and light bulbsGriesser-Stermscheg, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 95
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The Berlin Aleppo Room: a view into a Syrian interior from the Ottoman EmpireSchwed, J.M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 102
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From cosmopolitan Italy to rural Dorset: The Separation of Night from Day by Guido Reni, 1599Sitwell, C.L. / Bush, A. / Berry, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 108
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French genre painting for the king: masterpieces by Lancret and Watteau in Prussian palacesVogtherr, C.M. / De Calisse, E.W. / Most, M. / Bartoll, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 116
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The Mimbres journey: how shifting contexts necessitate a multi-disciplinary conservation approachThompson, M. / Elliott, A. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 123
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The role of context in the conservation of contemporary American Indian ceramicsFletcher, J. / Patterson, C. / Blomberg, N. / Nordstrand, P. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 128
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Conservation of a Maori eel trap: practical and ethical issuesSmith, C. / Winkelbauer, H. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 133
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Tjurkulpa: a conservator learns respect for the Land, the People and the CultureThorn, A. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 138
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Gamelan: can a conservation-conceived protocol protect it spiritually and physically in a museum?Jones-Amin, H. / Tan, H. / Tee, A. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 144
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Multiple functions and multiple histories of Tibetan tsha-tshas (votive clay images)Reedy, C.L. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 151
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Challenges in the context of the living sacred tradition of Mahayana BuddhismDhar, S. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 156
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Contextual change and the conservation of wall paintings: the case of Korean Buddhist templesHan, K. / Lee, S. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 162
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The Maya site of Calakmul: in situ preservation of wall paintings and limestone using nanotechnologyBaglioni, P. / Vargas, R.C. / Chelazzi, D. / Gonzalez, M.C. / Desprat, A. / Giorgi, R. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 170
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Stone armor 2200 years ago: early mass production methods in ChinaFiuza, S.B. / Qingbo, D. / Dongfeng, W. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 177
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A colourful world for the Emperor's soul: the polychromy of the terracotta sculptures at Qin Shihuang's burial complexBlansdorf, C. / Yin, X. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 184
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Modern trends: ancient patternsDavis, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 190
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A Pouring Satyr from Castel Gandolfo: history and conservationRisser, E. / Daehner, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 197
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LACMA's classical sculpture collection reconsidered - againShtrum, B. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 204
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Illuminating a complex history: the materials and techniques of the tombs of Urgell at The CloistersEdelstein, B.M. / Centeno, S.A. / Wypyski, M.T. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 211
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The preservation and display of a fourth-century BCE painted Thracian tomb in BulgariaBarov, Z. / Groudeva, V. / Karazlateva, M. / Kitanov, K. / Marinov, T. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 217
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The relationship between preservation and technique in paintings in the OranjezaalVan Loon, A. / Speleers, L. / Ferreira, E. / Keune, K. / Boon, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 224
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Varnishes on Baroque church furnishings: in search of a suitable conservation approachMiller, K.W.-V. / Baumer, U. / Koller, J. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 230
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Case studies of eighteenth-century polychromy and metal leaf gilding in BavariaPelludat, I. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 236
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Proscribed pigments in northern European Renaissance paintings and the case of Paris redKirby, J. / Saunders, D. / Spring, M. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 244
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Artists' pigments reconsidered: does modern science match the historical context?Krekel, C. / Haller, U. / Burmester, A. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 249
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Skokloster castle and its environmentHolmberg, J. / Kylsberg, B. / Nelander, P. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 254
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Nomenclatura et species colorum miniatae picturae: researching seventeenth-century pigments in SwedenRonnerstam, C. / Halldahl, L. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 260
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The Mariani-Cibo treatise: contents and contextHermens, E. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 267
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New Age Old MastersBucklow, S. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 273
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Applique stained glass: the conflict between conservation and contextTennent, N.H. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 279
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The context and conservation of patent metamorphic furniture 1780-1820Edwards, C. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
- 286
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A cross-cultural approach to Urushi conservation: consolidation of metal foil decoration on the Mazarin chestRivers, S. / Yamashita, Y. / International Institute for Conservation of Historic and Artistic Works et al. | 2006
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Conservation and continuity: preserving the library of the Monastery of Saint Catherine on Mount SinaiPickwoad, N. / Velios, A. / International Institute for Conservation of Historic and Artistic Works et al. | 2006