``A better example is a photograph'': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs (Englisch)
- Neue Suche nach: Brunet, F.
- Neue Suche nach: Sterling and Francine Clark Art Institute
- Neue Suche nach: Brunet, F.
- Neue Suche nach: Kelsey, R.E.
- Neue Suche nach: Stimson, B.
- Neue Suche nach: Sterling and Francine Clark Art Institute
In:
Meaning of photography
;
34-49
;
2008
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ISBN:
- Aufsatz (Konferenz) / Print
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Titel:``A better example is a photograph'': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs
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Beteiligte:
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Kongress:Symposium, Meaning of photography ; 2005 ; Williamstown, MA
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Erschienen in:Meaning of photography ; 34-49
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Verlag:
- Neue Suche nach: Yale University Press [distributor]
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Erscheinungsort:Williamstown, Mass. , New Haven, Conn. , London , Sterling and Francine Clark Art Institute
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Erscheinungsdatum:01.01.2008
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Format / Umfang:16 pages
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ISBN:
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Medientyp:Aufsatz (Konferenz)
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Format:Print
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Sprache:Englisch
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Schlagwörter:
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Datenquelle:
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Inhaltsverzeichnis Konferenzband
Die Inhaltsverzeichnisse werden automatisch erzeugt und basieren auf den im Index des TIB-Portals verfügbaren Einzelnachweisen der enthaltenen Beiträge. Die Anzeige der Inhaltsverzeichnisse kann daher unvollständig oder lückenhaft sein.
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Indexicality and the Concept of Medium SpecificityDoane, M.A. / Sterling and Francine Clark Art Institute et al. | 2008
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Photography, Chance, and The Pencil of NatureKelsey, R. / Sterling and Francine Clark Art Institute et al. | 2008
- 34
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``A better example is a photograph'': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on SignsBrunet, F. / Sterling and Francine Clark Art Institute et al. | 2008
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Moon Studies and Star ScratchesHarper, S. / Sterling and Francine Clark Art Institute et al. | 2008
- 59
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Peter Henry Emerson: The Mechanics of SeeingNickel, D.R. / Sterling and Francine Clark Art Institute et al. | 2008
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Camera Lucida: Another Little History of PhotographyBatchen, G. / Sterling and Francine Clark Art Institute et al. | 2008
- 92
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The Hashem el Madani ProjectZaatari, A. / Sterling and Francine Clark Art Institute et al. | 2008
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A Photograph Is Never AloneStimson, B. / Sterling and Francine Clark Art Institute et al. | 2008
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In the Valley of the BlindTagg, J. / Sterling and Francine Clark Art Institute et al. | 2008
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Two Double NegativesFalconi, J.L. / Sterling and Francine Clark Art Institute et al. | 2008
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topologiesLoCurto, L. / Outcault, B. / Sterling and Francine Clark Art Institute et al. | 2008
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Overexposure: Thoughts on the Triumph of PhotographyMcCauley, A. / Sterling and Francine Clark Art Institute et al. | 2008
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On the Ruins of Photographic Culture: The Politics of Photographic Form TodayRoberts, J. / Sterling and Francine Clark Art Institute et al. | 2008
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Reading Photographs Iconographically or IchnographicallyBertelsen, L.K. / Sterling and Francine Clark Art Institute et al. | 2008
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Molecular Documents: Photography in the Post-Photographic Era, or How Not to Be Trapped into False DilemmasRibalta, J. / Sterling and Francine Clark Art Institute et al. | 2008
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Focus and Cross: Throughts on the Changing Face of Japanese Contemporary PhotographyShiner, E.C. / Sterling and Francine Clark Art Institute et al. | 2008
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Photography Is Over, If You Want ItRosenberg, E. / Sterling and Francine Clark Art Institute et al. | 2008
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Photography as the Medium of ReflectionStiegler, B. / Sterling and Francine Clark Art Institute et al. | 2008
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Photography's Double Index (A Short History in Three Parts)Kelsey, R. / Stimson, B. / Sterling and Francine Clark Art Institute et al. | 2008