Variations on Themes: Spheres and Space in Haneke's Variation (Englisch)
- Neue Suche nach: Filimon, Monica
- Neue Suche nach: Naqvi, Fatima
- Neue Suche nach: Grundmann, Roy
- Neue Suche nach: Filimon, Monica
- Neue Suche nach: Naqvi, Fatima
In:
A Companion to Michael Haneke
;
243-262
;
2010
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ISBN:
- Aufsatz/Kapitel (Buch) / Elektronische Ressource
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Titel:Variations on Themes: Spheres and Space in Haneke's Variation
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Beteiligte:
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Erschienen in:A Companion to Michael Haneke ; 243-262
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Verlag:
- Neue Suche nach: Wiley‐Blackwell
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Erscheinungsort:Oxford, UK
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Erscheinungsdatum:09.04.2010
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Format / Umfang:20 pages
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ISBN:
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DOI:
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Medientyp:Aufsatz/Kapitel (Buch)
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Format:Elektronische Ressource
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Sprache:Englisch
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Schlagwörter:for Sloterdijk, theories of auto‐eroticism and narcissism ‐ denying experience of self‐reflection , possibility of shared responsibility ‐ vis‐à‐vis future being short‐lived , Haneke's camera, a storyteller refusing closure ‐ dissolving the public and the private into each other , destabilization of viewers, acoustic and visual level ‐ necessary by‐product and price for participation in film , Francis Bacon and painting Study after Velazquez's Portrait of Pope Innocent X (1953) – appropriate allegory for contemporary life , definition of public and private spheres ‐ great deal to close metaphorical relationship to real sites and locations , variations on themes ‐ spheres and space in Haneke's variation , Michael Haneke's two‐part television drama Lemmings (1979), strange painting becoming site of verbal foreplay , telling stories of “Occidental Crisis” ‐ nascent intimate sphere between characters and closeness between viewers and characters about the developing affair
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Datenquelle:
Inhaltsverzeichnis E-Book
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- 1
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Introduction: Haneke's AnachronismGrundmann, Roy et al. | 2010
- 51
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Performative Self‐Contradictions: Michael Haneke's Mind GamesElsaesser, Thomas et al. | 2010
- 75
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Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Haneke's CachéLevin, Thomas Y. et al. | 2010
- 91
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Infectious Images: Haneke, Cameron, Egoyan, and the Dueling Epistemologies of Video and FilmHediger, Vinzenz et al. | 2010
- 113
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Tracking Code UnknownConley, Tom et al. | 2010
- 124
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Michael Haneke and the New Subjectivity: Architecture and FilmEisenman, Peter et al. | 2010
- 130
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Games Haneke Plays: Reality and PerformancePeucker, Brigitte et al. | 2010
- 147
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Figures of DisgustBlümlinger, Christa et al. | 2010
- 161
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Without Music: On CachéChion, Michel et al. | 2010
- 168
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Fighting the Melodramatic Condition: Haneke's PolemicsMetelmann, Jörg et al. | 2010
- 187
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“Mourning for the Gods Who Have Died”: The Role of Religion in Michael Haneke's Glaciation TrilogyThuswaldner, Gregor et al. | 2010
- 203
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A Melancholy Labor of Love, or Film Adaptation as Translation: Three Paths to the LakeNaqvi, Fatima et al. | 2010
- 227
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Michael Haneke and the Television Years: A Reading of LemmingsBrunette, Peter et al. | 2010
- 243
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Variations on Themes: Spheres and Space in Haneke's VariationFilimon, Monica / Naqvi, Fatima et al. | 2010
- 263
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Projecting Desire, Rewriting Cinematic Memory: Gender and German Reconstruction in Michael Haneke's FrauleinNagl, Tobias et al. | 2010
- 279
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(Don't) Look Now: Hallucinatory Art History in Who Was Edgar Allan?Blankenship, Janelle et al. | 2010
- 301
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Bureaucracy and Visual StylePrice, Brian et al. | 2010
- 321
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Structures of Glaciation: Gaze, Perspective, and Gestus in the Films of Michael HanekeSeeßlen, Georg et al. | 2010
- 337
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The Void at the Center of Things: Figures of Identity in Michael Haneke's Glaciation TrilogySchwartz, Peter J. et al. | 2010
- 354
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How to Do Things with ViolencesBrinkema, Eugenie et al. | 2010
- 371
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Between Adorno and Lyotard: Michael Haneke's Aesthetic of FragmentationGrundmann, Roy et al. | 2010
- 420
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Hollywood EndgamesMonk, Leland et al. | 2010
- 439
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Class Conflict and Urban Public Space: Haneke and Mass TransitByg, Barton et al. | 2010
- 455
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Multicultural Encounters in Haneke's French‐Language CinemaLykidis, Alex et al. | 2010
- 477
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Haneke's Secession: Perspectivism and Anti‐Nihilism in Code Unknown and CachéStoehr, Kevin L. et al. | 2010
- 495
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The Unknown Piano TeacherWarren, Charles et al. | 2010
- 511
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Discordant Desires, Violent Refrains: La Pianiste (The Piano Teacher)Ma, Jean et al. | 2010
- 532
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Civilization's Endless Shadow: Haneke's Time of the WolfTorner, Evan et al. | 2010
- 551
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The Intertextual and Discursive Origins of Terror in Michael Haneke's CachéKline, T. Jefferson et al. | 2010
- 563
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Terror and Utopia of Form: Robert Bresson's Au hasard BalthazarHaneke, Michael et al. | 2010
- 575
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Violence and the MediaHaneke, Michael et al. | 2010
- 580
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The World That Is Known: An Interview with Michael HanekeSharrett, Christopher et al. | 2010
- 591
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Unsentimental Education: An Interview with Michael HanekeGrundmann, Roy et al. | 2010
- 607
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Filmography| 2010
- 619
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Index| 2010
- i
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Front Matter| 2010