`Absolute Music' and the `New Musicology' (English)
- New search for: Kivy, P.
- New search for: International Musicological Society
- New search for: Kivy, P.
- New search for: Greer, D. C.
- New search for: Rumbold, I.
- New search for: King, J.
- New search for: International Musicological Society
In:
International Musicological Society; Musicology and sister disciplines
;
378-388
;
2000
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ISBN:
- Conference paper / Print
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Title:`Absolute Music' and the `New Musicology'
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Contributors:
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Conference:International congress; 16th; edited by David Greer with Ian Rumbold and Jonathan King, International Musicological Society; Musicology and sister disciplines ; 1997 ; London
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Published in:
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Publisher:
- New search for: Oxford University Press
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Place of publication:New York
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Publication date:2000-01-01
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Size:11 pages
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ISBN:
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Type of media:Conference paper
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Type of material:Print
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Language:English
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Keywords:
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Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 9
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Scholarship, Authenticity, HonestyWilliams, B. / International Musicological Society et al. | 2000
- 18
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The Heritage of Pythagoras: Nineteen to the DozenPenrose, R. / International Musicological Society et al. | 2000
- 33
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Brain and Music: An Electrophysiological ApproachBesson, M. / Regnault, P. / International Musicological Society et al. | 2000
- 47
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Perception of Tonal Pitch Space and Tonal TensionCuddy, L. L. / Smith, N. A. / International Musicological Society et al. | 2000
- 60
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The Timing Implications of Musical StructuresRepp, B. H. / International Musicological Society et al. | 2000
- 71
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Listening to a Piece of Music: A Schematization Process Based on Abstracted Surface CuesDeliege, I. / International Musicological Society et al. | 2000
- 88
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Music and Affect: Empirical and Theoretical Contributions from Experimental PsychologyKrumhansl, C. L. / International Musicological Society et al. | 2000
- 100
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Strong Experiences of and with MusicGabrielsson, A. / Wik, S. L. / International Musicological Society et al. | 2000
- 118
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Music and Narrative in Recent TheoryButler, C. / International Musicological Society et al. | 2000
- 129
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`All Russian Music is So Sad': Two Constructions of the Russian Soul, through Literature and MusicFrolova-Walker, M. / International Musicological Society et al. | 2000
- 139
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Drowning in Music: Ophelia's Death and Feminist HermeneuticsHadlock, H. / International Musicological Society et al. | 2000
- 154
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The Study of Medieval Music: Some Thoughts on Past, Present, and FutureRankin, S. / International Musicological Society et al. | 2000
- 169
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The Music of RhetoricSisman, E. / International Musicological Society et al. | 2000
- 230
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Music Historiography, Critical Theory, and Other TalesDeathridge, J. / International Musicological Society et al. | 2000
- 239
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The Problem of the French Revolution in Music Historiography and HistoryFend, M. / International Musicological Society et al. | 2000
- 251
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Difficolta della storiografia dell'opera italianaSeta, F. D. / International Musicological Society et al. | 2000
- 263
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Collapsing the Dialectic: The Enlightenment Tradition in Music and its CriticsStohm, R. / International Musicological Society et al. | 2000
- 273
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Music and Sociology: Perspectives, HorizonsKaden, C. / International Musicological Society et al. | 2000
- 288
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Ethnomusicology and Music SociologyBohlman, P. V. / International Musicological Society et al. | 2000
- 299
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Musical Practices and Hidden Musicians: A Perspective from Sociology and AnthropologyFinnegan, R. / International Musicological Society et al. | 2000
- 309
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Music from an Anthropological PerspectiveKalisch, V. / International Musicological Society et al. | 2000
- 320
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From Music-Makers to Virtual Singers: New Musics and Puzzled ScholarsMagrini, T. / International Musicological Society et al. | 2000
- 331
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Music and Cultural PracticesMartin, P. J. / International Musicological Society et al. | 2000
- 342
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The Sociology of Music as Self-Critical Musicologyde Carvalho, M. V. / International Musicological Society et al. | 2000
- 356
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BibliographyInternational Musicological Society et al. | 2000
- 367
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New Music and PhilosophyRowell, L. / International Musicological Society et al. | 2000
- 378
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`Absolute Music' and the `New Musicology'Kivy, P. / International Musicological Society et al. | 2000
- 389
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Signs and TranscendenceTarasti, E. / International Musicological Society et al. | 2000
- 401
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`Authenticity', `Interpretation', and `Practice': Probing their LimitsKatz, R. / International Musicological Society et al. | 2000
- 409
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Response: Four Philosophies of Musical InterpretationCumming, N. / International Musicological Society et al. | 2000
- 418
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Musicology and Sexuality: The Example of Edward J. DentBrett, P. / International Musicological Society et al. | 2000
- 428
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Beethoven's IroniesNestrovski, A. / International Musicological Society et al. | 2000
- 439
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Ethnography, Ethnomusicology, and Post-White TheoryWong, D. / International Musicological Society et al. | 2000
- 457
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Music in Tuscany: Past Research and Future ProjectsGianturco, C. / International Musicological Society et al. | 2000
- 460
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The Circulation of Music in Europe 1700-1850Rasch, R. / International Musicological Society et al. | 2000
- 463
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Music and/as EthicsInternational Musicological Society et al. | 2000
- 464
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The Dating and Chronology of the Works of Josquin des PrezJas, E. / International Musicological Society et al. | 2000
- 467
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a Musicology, Popular Music Studies, and Political Economy; 5b Musicology, Popular Music Studies, and Cultural Geography; 29 Musicology, Popular Music Studies, and the Interpretative SciencesGriffiths, D. / International Musicological Society et al. | 2000
- 468
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Musicology, Popular Music Studies, and the Interpretative Sciences. See under 5aInternational Musicological Society et al. | 2000
- 473
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Berlioz et autour de Berlioz: Un artiste en son tempsBloom, P. / International Musicological Society et al. | 2000
- 476
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Portuguese Musical Outreach: Five CenturiesStevenson, R. / International Musicological Society et al. | 2000
- 479
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Research in Music Performance: New Methods and ToolsBowen, J. / International Musicological Society et al. | 2000
- 481
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Feminist Epistemologies in EthnomusicologyTolbert, E. / International Musicological Society et al. | 2000
- 483
-
Musicology and BiographyOlleson, P. / International Musicological Society et al. | 2000
- 486
-
Opera Orchestras in Eighteenth- and Nineteenth-Century EuropePiperno, F. / International Musicological Society et al. | 2000
- 489
-
The Early ViolinWalls, P. / International Musicological Society et al. | 2000
- 491
-
Auditory Scene Analysis: Future Directions for Musicological ResearchHarley, M. A. / International Musicological Society et al. | 2000
- 493
-
Chant and Liturgy: Compositional Planning in Liturgical ChantHankeln, R. / International Musicological Society et al. | 2000
- 496
-
Music Iconography: Transmission and Transformation of Symbolic ImagesBuckley, A. / International Musicological Society et al. | 2000
- 498
-
Repertory and Canon: The Dynamics of Canon Formation, 1700-1870Weber, W. / International Musicological Society et al. | 2000
- 501
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Perspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth CenturiesKmetz, J. / Polk, K. / International Musicological Society et al. | 2000
- 504
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Theatrical Dance and Music, 1650-1850McCleave, S. / International Musicological Society et al. | 2000
- 507
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British Music since BrittenBorthwick, A. / International Musicological Society et al. | 2000
- 509
-
Semiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary MusicologyGrabocz, M. / International Musicological Society et al. | 2000
- 512
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Interpreting Performance: Chopin-Playing in PerspectiveRink, J. / International Musicological Society et al. | 2000
- 515
-
Theorizing the TransnationalMonson, I. / International Musicological Society et al. | 2000
- 517
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Sense and Sonority in Aquitanian Polyphony and the ConductusInternational Musicological Society et al. | 2000
- 518
-
The Evolution of Musical InstrumentsLibin, L. / International Musicological Society et al. | 2000
- 521
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Der Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle fur die Musik Mitteleuropas im 15. Jahrhundert und ihre musikalischen, liturgischen, und theologischen VoraussetzungenSchmid, B. / International Musicological Society et al. | 2000
- 523
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Opera et melodrame en France, 1800-30: Une enquete sur les genresCharlton, D. / International Musicological Society et al. | 2000
- 526
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Music, Politics, and Patronage in Spanish and Portuguese Dominions in the Early Modern PeriodNoone, M. / International Musicological Society et al. | 2000
- 528
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Chant and Analysis: Where Are We, and Where Do We Go Now?Haggh, B. / International Musicological Society et al. | 2000
- 530
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Musical Data and Computer ApplicationsHoward, J. B. / International Musicological Society et al. | 2000
- 532
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Keyboard Organology: Past, Present, and FutureKoster, J. / International Musicological Society et al. | 2000
- 535
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Kulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von VereinenSzabo-Knotik, C. / International Musicological Society et al. | 2000
- 538
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Implications for Mainstream Musicology of Recent Research in Music CognitionParncutt, R. / International Musicological Society et al. | 2000
- 541
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La vie musicale sous Vichy, 1940-1944Chimenes, M. / International Musicological Society et al. | 2000
- 544
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Chant and PalaeographyDowney, C. T. / International Musicological Society et al. | 2000
- 545
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Music between East and West: The Work of Lutoslawski, Penderecki, and Gorecki in the Context of Culture and HistoryTomaszewski, M. / International Musicological Society et al. | 2000
- 548
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Musicology and Art HistorySeebass, T. / International Musicological Society et al. | 2000
- 552
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Theorizing Mixed MediaCook, N. / International Musicological Society et al. | 2000
- 555
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`To the Ends of the Earth': Refugee Musicians in East Asia and Latin America, 1933-1945Weber, H. / International Musicological Society et al. | 2000
- 557
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The History of the Papal ChapelSherr, R. / International Musicological Society et al. | 2000
- 560
-
Rapporti tra testo, musica e scena nello spettacolo a Napoli nel SettecentoGreco, F. C. / International Musicological Society et al. | 2000
- 562
-
The Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the LiturgyHarper, J. / International Musicological Society et al. | 2000
- 565
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Contexts for Brass: History, Performance, CultureNussbaum, J. / International Musicological Society et al. | 2000
- 568
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Race and Culture in the Aesthetics of William Grant Still (1895-1978)Smith, C. P. / International Musicological Society et al. | 2000
- 571
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Redefining the Low CountriesKugle, K. / International Musicological Society et al. | 2000
- 573
-
Recent Mozart Research and Der neue KochelZaslaw, N. / International Musicological Society et al. | 2000
- 575
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Music, Healing, and Culture: Towards a Comparative PerspectiveGouk, P. / International Musicological Society et al. | 2000
- 578
-
Fascism and MusicPainter, K. / International Musicological Society et al. | 2000
- 580
-
New Methods, New Visions: Computational Initiatives for a New MillenniumHoward, J. B. / International Musicological Society et al. | 2000
- 585
-
The Influence of Homiletic and Exegetical Literature on the Fleury Lament of RachelBoynton, S. / International Musicological Society et al. | 2000
- 585
-
The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries)Jeffery, P. / International Musicological Society et al. | 2000
- 586
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Le vocabulaire de la psalmodie dans la Regle de St Benoit, a la lumiere des donnees musicales traditionnellesCullin, O. / International Musicological Society et al. | 2000
- 586
-
How to Build an AlleluiaBrauner, M. P. / International Musicological Society et al. | 2000
- 586
-
History and Liturgy: The Historia of Thomas BecketSlocum, K. B. / International Musicological Society et al. | 2000
- 587
-
Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600Klotz, S. / International Musicological Society et al. | 2000
- 587
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Towards a Theory of Musical Patronage in the Renaissance and Baroque Eras: A Proposal between Anthropology and SemioticsAnnibaldi, C. / International Musicological Society et al. | 2000
- 588
-
Artusi's Rage: Fear and Loathing in the Prima pratticaRamalingam, V. S. / International Musicological Society et al. | 2000
- 588
-
Music in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural ValuesAustern, L. P. / International Musicological Society et al. | 2000
- 589
-
`Enemies of Love': Staging Female Excess in Monteverdi's Il ballo delle ingrateGordon, B. / International Musicological Society et al. | 2000
- 589
-
A Jungian Perspective on Monteverdi's Late MadrigalsKurtzman, J. / International Musicological Society et al. | 2000
- 590
-
The Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century ItalyHeller, W. / International Musicological Society et al. | 2000
- 590
-
Trembley's Polyp and the Natural History of Opera buffaAllanbrook, W. J. / International Musicological Society et al. | 2000
- 590
-
Les editions parisiennes de livrets d'operas et leur contrefacon bruxelloise dans la seconde moitie du XVIIIe siecleCornaz, M. / International Musicological Society et al. | 2000
- 591
-
Alfieri and the Transformation of Opera seriaMcClymonds, M. P. / International Musicological Society et al. | 2000
- 591
-
The London Opera of Joseph Haydn: Loss, Lament, and Lieto fineClark, C. L. / International Musicological Society et al. | 2000
- 592
-
`A Spectre-World Cuts Through our Space': Early German Radio Criticism and the Listening SubjectMacBrien, N. E. / International Musicological Society et al. | 2000
- 592
-
Opera Studies, Film Studies: Gounod's Faust and the History of Early French CinemaTheresa, R. M. / International Musicological Society et al. | 2000
- 592
-
Union Radio: Musica, comunicacion e ideologiaBueno, J. A. / International Musicological Society et al. | 2000
- 593
-
La zarzuela como material ideologico en el cine y la television 1940-70Arregui, J. P. / International Musicological Society et al. | 2000
- 593
-
New Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War DecadeDoctor, J. / International Musicological Society et al. | 2000
- 594
-
When Teaching Ten Thousand was Not Enough: E. Azalia Hackley and African-American Music JournalismKarpf, J. / International Musicological Society et al. | 2000
- 594
-
Is it Polyphony?Ferreira, M. P. / International Musicological Society et al. | 2000
- 594
-
The Medieval Motet in Occitania and the `Occitanian' MotetAubrey, E. / International Musicological Society et al. | 2000
- 595
-
The Study of Pigments in Medieval ManuscriptsWolinski, M. E. / International Musicological Society et al. | 2000
- 595
-
Secular-Song Tenors and the Fourteenth-Century MotetClark, A. V. / International Musicological Society et al. | 2000
- 596
-
Sacred Music at the Court of Fernando de Aragon, Duke of Calabria: The Context of Barcelona MS 1166/1967 and a `Parody' Mass on Josquin's InviolataNelson, B. / International Musicological Society et al. | 2000
- 596
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Laura, L'aura, Laurels: Strategies of Multiplication in Petrarch and MarenzioAluas, L. / International Musicological Society et al. | 2000
- 596
-
Added Contratenors in the Ballades of Guillaume de MachautLeach, E. / International Musicological Society et al. | 2000
- 597
-
Carnival and Carne vale: Orlando di Lasso and Roman CourtesansJackson, D. C. / International Musicological Society et al. | 2000
- 597
-
The Masses Salve regina and O magnum misterium: New Light on Victoria's Parody TechniqueCramer, E. C. / International Musicological Society et al. | 2000
- 597
-
Music in the Tragedia spiritualeMacy, L. / International Musicological Society et al. | 2000
- 598
-
Registral Direction and Melodic ImplicationEitan, Z. / International Musicological Society et al. | 2000
- 598
-
An Exegesis of the Kyrie from Beethoven's Mass in C, Op. 86McGrann, J. W. / International Musicological Society et al. | 2000
- 599
-
Nineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's `Unfinished' and Beethoven's `Waldstein'Clark, S. / International Musicological Society et al. | 2000
- 599
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Rossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from La CenerentolaHoyt, P. A. / International Musicological Society et al. | 2000
- 599
-
Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 No. 5Samarotto, F. / International Musicological Society et al. | 2000
- 600
-
Ethnomusicologies of the West: Questions of Perspective and ScopeStock, J. / International Musicological Society et al. | 2000
- 600
-
American Musicology and `The Archives of Eden'White, H. / International Musicological Society et al. | 2000
- 601
-
Problems in the Application of Linguistic/Semiotic Principles to MusicYi, S. W. / International Musicological Society et al. | 2000
- 601
-
Music in Action: The View from SociologyDeNora, T. / International Musicological Society et al. | 2000
- 602
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Musical Life at the Collegiate Church of Saint-Omer, Northern France, c.1460-1504Kirkman, A. / International Musicological Society et al. | 2000
- 602
-
The Wedding of Pious and Profane: A Cultural Context for the Chanson MassBloxam, M. J. / International Musicological Society et al. | 2000
- 602
-
Queen Elisabeth of Belgium, the A-Bomb and Einstein's Violin: About Pacificism, Pantheism, and the Passion for MusicErauw, W. / International Musicological Society et al. | 2000
- 603
-
The Meaning of Okeghem's Intemerata dei materDean, J. / International Musicological Society et al. | 2000
- 603
-
Obrecht's Anchises: Virgilian Allusion in Mille quingentisGallagher, S. / International Musicological Society et al. | 2000
- 604
-
Modelos de financiacion de musica en las catedrales espanolas: Formas e implicacionesSuarez-Pajares, J. / International Musicological Society et al. | 2000
- 604
-
Music in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan ArchiveSummers, W. / International Musicological Society et al. | 2000
- 604
-
The Controversial Identity of an Iberian Poet-Musician of the Renaissance: `Badajoz el musico'Ros-Fabregas, E. / International Musicological Society et al. | 2000
- 605
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Music, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734)Olson, G. J. / International Musicological Society et al. | 2000
- 605
-
Iconografia musical en la tarasca barroca madrilena: Algunos ejemplos representativosde Buitrago Garcia, A. G. / International Musicological Society et al. | 2000
- 605
-
The Sounding City: Urban History and Music in Baroque JaenMarin, M.-A. / International Musicological Society et al. | 2000
- 606
-
The Interior-Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes PerformancesJimenez, J. R. / International Musicological Society et al. | 2000
- 606
-
Salon, Gender, and Musical Culture in Sweden around 1800Ohrstrom, E. / International Musicological Society et al. | 2000
- 607
-
Chladni as Musician ManqueReichard, K. L. / International Musicological Society et al. | 2000
- 607
-
`Musica sabia': The Reception of Classical Music in Madrid (c.1830-1870)Etzion, J. / International Musicological Society et al. | 2000
- 607
-
Byron and the Poetics of Berlioz's `Harold' SymphonyJohnson, J. / International Musicological Society et al. | 2000
- 608
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Early Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert HallDeaville, J. A. / International Musicological Society et al. | 2000
- 608
-
Four-Hand Transcription: Changing Performing Spaces and GenresChristensen, T. / International Musicological Society et al. | 2000
- 609
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The Visual Language of American Experimental MusicPerloff, N. / International Musicological Society et al. | 2000
- 609
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Roland Barthes's `Text' and Aleatory Music: Is the `Birth of the Reader' the Birth of the Listener?Joe, J. / International Musicological Society et al. | 2000
- 609
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Imploding the System: Kagel and the Deconstruction of ModernismAttinello, P. / International Musicological Society et al. | 2000
- 610
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An Object-Orientated Analysis of Twentieth-Century Piano MusicGuigue, D. / International Musicological Society et al. | 2000
- 610
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Can Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian MusicPasticci, S. / International Musicological Society et al. | 2000
- 611
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Time out of Time: Eternity as a Thirteenth-Century Philosophical Issue Exemplified in Musicvan Deusen, N. / International Musicological Society et al. | 2000
- 611
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Musical-Historical Conceptions in the Light of the Systematic ApproachMarkova, E. / Mironov, V. / International Musicological Society et al. | 2000
- 611
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Law as a Sister Discipline of Music in the Middle Ages and RenaissanceBalensuela, C. M. / International Musicological Society et al. | 2000
- 612
-
Glosses on Music and Grammar and the Advent of Music-Writing in the WestAtkinson, C. M. / International Musicological Society et al. | 2000
- 612
-
Ordo naturalis in Eleventh-Century Theoretical SystemsIlnitchi, G. / International Musicological Society et al. | 2000
- 613
-
Carnival, Commedia dell'arte and the Paris Opera in the Late Years of the Sun King, 1697-1710Cowart, G. / International Musicological Society et al. | 2000
- 613
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Queen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XVElizabeth, M. / Bartlet, C. / International Musicological Society et al. | 2000
- 613
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Musicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical SourcesCohen, A. / International Musicological Society et al. | 2000
- 614
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Collecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88)Bordas, C. / International Musicological Society et al. | 2000
- 614
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The Personal Network: A Sociological Approach to `Imported' Villancico Texts and Music Supply at Segovia Cathedral (1650-1700)Rodriguez, P.-L. / International Musicological Society et al. | 2000
- 615
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Virtue, Reform, and `Pure' Music in Second Empire ParisStrasser, M. / International Musicological Society et al. | 2000
- 615
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Felix Mendelssohn Bartholdys geistliche Vokalmusik: Ein Versuch ihrer chronologischen und stilistischen EinordnungHoshino, H. / International Musicological Society et al. | 2000
- 615
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The Stornello and its Popularity in Ottocento ItalyMarvin, R. M. / International Musicological Society et al. | 2000
- 616
-
Apocalypse (Now?): Politics in the Sacred Music of Johannes BrahmsBeller-McKenna, D. / International Musicological Society et al. | 2000
- 616
-
Orientalism in Borodin's Prince IgorKhazrai, F. / International Musicological Society et al. | 2000
- 617
-
Music and TechnologyPecquet, F. / International Musicological Society et al. | 2000
- 617
-
Did Greco-Roman Hydraules have Keyboards?Szonntagh, E. L. / International Musicological Society et al. | 2000
- 617
-
Canonizing the Dutchman: Wagnerism and Der fliegende HollanderMcClatchie, S. / International Musicological Society et al. | 2000
- 618
-
Stochastic Analysis and Music PredictabilityKoppers, M. H. A. / International Musicological Society et al. | 2000
- 618
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Acoustique musicale et musicologie: L'apport de l'outil acoustique dans l'analyse perceptiveBarras, M.-C. / International Musicological Society et al. | 2000
- 618
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The Applicability of Psychological Methods in the Study of Musical RhythmKim, Y. / International Musicological Society et al. | 2000
- 619
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Retorica e tragedia per musica: L'Iphigenie en Aulide di Gluck (1774)Martina, A. / International Musicological Society et al. | 2000
- 619
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Cognitive-Perceptual Effects in Music: Shepard Tones and the Canon per tonos from J. S. Bach's Musical OfferingCollins, D. / Schloss, A. / International Musicological Society et al. | 2000
- 620
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Gluck in the Age of Living Reproduction: Fin-de-Siecle Critics Speak on `Antiquarian' OperaZukowski, S. / International Musicological Society et al. | 2000
- 620
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Les reveries renouvelees des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigenie en Tauride (1779)Brown, B. A. / International Musicological Society et al. | 2000
- 620
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Gluck's L'Iphigenie en Aulide (1774-5): Reception and RevisionHeartz, D. / International Musicological Society et al. | 2000
- 621
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Gothic Architecture and Baroque Polyphony: A Romantic BlendHaar, J. / International Musicological Society et al. | 2000
- 621
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Romantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp MoritzHennemann, M. / International Musicological Society et al. | 2000
- 622
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Musicology, Politics, and Heraldry: The Te deum: A `State Motet' at the Time of Louis XIV and Louis XVMontagnier, J.-P. / International Musicological Society et al. | 2000
- 622
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Reading the Metre: Verse Forms in Oratorio Librettos written for Handel by Charles Jennens and Thomas MorellBurrows, D. / International Musicological Society et al. | 2000
- 622
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Rediscovered East-European Sources of Hasse's Sacred MusicHarriss, E. / International Musicological Society et al. | 2000
- 623
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Musical Symbolism in the Operas of Debussy and BartokAntokoletz, E. / International Musicological Society et al. | 2000
- 623
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Riepel, Leibniz, and the Ars combinatoria in Seventeenth- and Eighteenth-Century Musical ThoughtEckert, S. / International Musicological Society et al. | 2000
- 624
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David: Stravinsky's Music-Hall BalletGordon, T. P. / International Musicological Society et al. | 2000
- 624
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`Schonberg ist Theosoph': Anmerkungen zu einer wenig beachteten BeziehungFollmi, B. A. / International Musicological Society et al. | 2000
- 624
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`Loneliness' and `Love': The Literary Context of Bela Bartok's Bluebeard's CastleFrigyesi, J. / International Musicological Society et al. | 2000
- 625
-
Objectifs et methodes d'une hermeneutique de la creation et de la reception musicalesHauer, C. / International Musicological Society et al. | 2000
- 625
-
Schonbergs Vortragsideal rekonstruiert anhand einer Quelle zu Op. 10Danuser, H. / International Musicological Society et al. | 2000
- 626
-
`White Facts about Blacks': Interculturalism, Music Education, and Identity in South AfricaCorreia, E. / International Musicological Society et al. | 2000
- 626
-
Interrogating Musicological Otherness in India: Ma'dan-ul-Mausiqi as a `Mine' of Music HistoryQureshi, R. B. / International Musicological Society et al. | 2000
- 627
-
Oral Traditions and Performance Practices in the Encyclopedia Jiu gong da chen nan bei ci gong pu, a Collection of Southern and Northern Chinese SongsChang, L. H. / International Musicological Society et al. | 2000
- 627
-
Objectification of Music and the `Domination of Nature' (Naturbeherrschung): T. W. Adorno's Theory in the Light of Comparative Music AestheticsTatsumura, A. / International Musicological Society et al. | 2000
- 627
-
Der Tonartbegriff in der traditionellen turkischen MusikBayraktarkatal, M. E. / International Musicological Society et al. | 2000
- 628
-
The Body in MusicPelinski, R. / International Musicological Society et al. | 2000
- 628
-
In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe alpha.M.1.13Steib, M. / International Musicological Society et al. | 2000
- 628
-
Identifying Composer Autographs in Pre-1600 ManuscriptsOwens, J. A. / International Musicological Society et al. | 2000
- 629
-
The Structure of the Chigi Codex: An Enigma ResolvedFitch, F. / International Musicological Society et al. | 2000
- 629
-
Who is Katherine? The Women of the Berg & Neuber-Gerlach-Kauffmann Printing DynastyJackson, S. / International Musicological Society et al. | 2000
- 630
-
Parthenia: A Paradigmatic EpithalamionPollack, J. / International Musicological Society et al. | 2000
- 630
-
The Printing of the Novum et insigne opus musicum (RISM 1537/1 and RISM 1538/3)Gustavson, R. / International Musicological Society et al. | 2000
- 630
-
Comision nobiliaria en la circulacion de la opera italiana en Iberoamerica en los primeros anos del siglo XVIIICetrangolo, A. / International Musicological Society et al. | 2000
- 631
-
Between the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth CenturyLeza, J.-M. / International Musicological Society et al. | 2000
- 631
-
A New Source of Seventeenth-Century Spanish Theatre Music from Mexico CityKoegel, J. / International Musicological Society et al. | 2000
- 632
-
Italian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (1727-31)Bombi, A. / International Musicological Society et al. | 2000
- 632
-
Sacrilege, Power Politics, and Lese-majeste: The Political Uses of Opera in Eighteenth-Century Gustavian Swedenvan Boer, B. H. / International Musicological Society et al. | 2000
- 633
-
(Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral ArtsongRoman, Z. / International Musicological Society et al. | 2000
- 633
-
The Piano in Gustav Mahler's Um Mitternacht: Invention or Error?Taylor, S. P. / International Musicological Society et al. | 2000
- 633
-
To the Jew a Foreign Tongue: Mahler's Orchestration as a Sign of DifferenceKnittel, K. M. / International Musicological Society et al. | 2000
- 634
-
Machine MusicMacdonald, H. / International Musicological Society et al. | 2000
- 634
-
Rose R. and Emilia Marty: The Representation of the Human Experience of Time in Janacek's The Makropoulos AffairMaes, F. / International Musicological Society et al. | 2000
- 635
-
Magic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's MusicChristoforidis, M. / International Musicological Society et al. | 2000
- 635
-
As Fats Waller Tells It: It's a Sin to Tell a LieMachlin, P. S. / International Musicological Society et al. | 2000
- 635
-
What is Jazz, and How Might Scholars Write About It?Kernfeld, B. / International Musicological Society et al. | 2000
- 636
-
Operatic Intersections with Rock Music: Popularizing OperaMcLeod, K. / International Musicological Society et al. | 2000
- 636
-
`We are Not Hurdy-Gurdies': Musicians in a Changing Music WorldLelieveldt, P. / International Musicological Society et al. | 2000
- 637
-
Music and Military Virtue in Early Modern France: The Equestrian Balletvan Orden, K. / International Musicological Society et al. | 2000
- 637
-
Punk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde GrooveCateforis, T. / International Musicological Society et al. | 2000
- 638
-
Guido Casoni (d. 1642) on Love as Music, a Theme for All SeasonsHarran, D. / International Musicological Society et al. | 2000
- 638
-
Behind the Dragon's Mask: Hidden Political Music of the RestorationTaricani, J. A. / International Musicological Society et al. | 2000
- 638
-
Music of Devotion in Counter-Reformation Rome: Borboni's Musicali concentiMontford, K. / International Musicological Society et al. | 2000
- 639
-
The String Quarters of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet StyleMonk, D. C. / International Musicological Society et al. | 2000
- 639
-
Baroque, musique, litterature: La nouvelle espagnole du XVIIe siecle, genre litteraire et source musicologiqueFonseca, M. S. / International Musicological Society et al. | 2000
- 640
-
Empress Marie Therese of Austria as Musician and Musical PatronRice, J. A. / International Musicological Society et al. | 2000
- 640
-
The Hofkapelle under Joseph II and Mozart's AppointmentLink, D. / International Musicological Society et al. | 2000
- 640
-
Trumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria TheresiaPage, J. / International Musicological Society et al. | 2000
- 641
-
Title, Function, and the Concept of Genre: The Earliest `True' SymphoniesWolf, E. K. / International Musicological Society et al. | 2000
- 641
-
Bellini and his Music as Political SymbolGallo, D. P. / International Musicological Society et al. | 2000
- 642
-
Mimesis and Hysteria in La muette de PorticiSmart, M. A. / International Musicological Society et al. | 2000
- 642
-
Music-Literature-Theatre-History: A New Approach to Nineteenth-Century Czech OperaGabrielova, J. / International Musicological Society et al. | 2000
- 642
-
Issues in the Reception of Meyerbeer's Les HuguenotsMurphy, K. / International Musicological Society et al. | 2000
- 643
-
Beyond Exoticism: Cio-Cio-San's Screen and the `Uses of Convention'Greenwald, H. / International Musicological Society et al. | 2000
- 643
-
`Che bella cosa scrivere a tre voci': Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception)Kramer, U. / International Musicological Society et al. | 2000
- 644
-
Musicology and MissiologySilverberg, A. L. / International Musicological Society et al. | 2000
- 644
-
Chinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth-Century Musician-PriestsLindorff, J. Z. / International Musicological Society et al. | 2000
- 644
-
The Iwakura Mission's Encounters with Western Music and their ConsequenceItoh, T. / International Musicological Society et al. | 2000
- 645
-
The History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth Century to the Beginning of the TwentiethKniazeva, J. / International Musicological Society et al. | 2000
- 645
-
Russian Roots, American Branches: Music in Cognate CulturesMazo, M. / International Musicological Society et al. | 2000
- 646
-
Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of BingenJeffreys, C. / International Musicological Society et al. | 2000
- 646
-
Interdisciplinary Objects: The Case of Hildegard of BingenMeconi, H. / International Musicological Society et al. | 2000
- 647
-
Would You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) SourcesSparti, B. / International Musicological Society et al. | 2000
- 647
-
The Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifteenth-Century EuropeNevile, J. / International Musicological Society et al. | 2000
- 647
-
Hildegard's Ordo virtutum: Musical Rhetoric and Monastic EducationFassler, M. / International Musicological Society et al. | 2000
- 648
-
Revising IvesLambert, P. / International Musicological Society et al. | 2000
- 648
-
DuBose Heyward's Drafts for the Porgy Story as Cultural PoliticsJohnson, J. A. / International Musicological Society et al. | 2000
- 648
-
The Myth of Stylized DanceKendall, G. Y. / International Musicological Society et al. | 2000
- 649
-
Ruth Crawford Seeger and John Cage: New Connections between Two American OriginalsDavidian, T. / International Musicological Society et al. | 2000
- 649
-
The Symphony as Political Tool in Early Twentieth-Century FranceHart, B. J. / International Musicological Society et al. | 2000
- 650
-
Poulenc and the Painters: The Influence of Art and Artists on his Life and MusicSchmidt, C. B. / International Musicological Society et al. | 2000
- 650
-
French Political Ideology as `Performative Context': The Concert by World War IFulcher, J. F. / International Musicological Society et al. | 2000
- 651
-
Musica theorica und Musica practica im Lichte der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung fur Franchinus Gaffurius' ProportionendenkenKreyszig, W. K. / International Musicological Society et al. | 2000
- 651
-
On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music TheorySaavedra, L. / International Musicological Society et al. | 2000
- 652
-
Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500Helms, D. / International Musicological Society et al. | 2000
- 652
-
Zwischen der Musiktheorie und Poetik der Renaissance: DecorumWieczorek, R. J. / International Musicological Society et al. | 2000
- 653
-
Theories, Proof, and Dissent in Spanish Music Theory, 1508-77Freis, W. / International Musicological Society et al. | 2000
- 653
-
Glareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance EuropeMengozzi, S. / International Musicological Society et al. | 2000
- 653
-
Schubert Iconography: New and Problematic IssuesBadura-Skoda, E. / International Musicological Society et al. | 2000
- 654
-
Franz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schone MullerinSolvik, M. / International Musicological Society et al. | 2000
- 654
-
Schubert's Activities in the `Unsinnsgesellschaft' (1817-18): New Literary and Iconographical DocumentsSteblin, R. / International Musicological Society et al. | 2000
- 655
-
Schubert's Free Verse SettingThym, J. / International Musicological Society et al. | 2000
- 655
-
Die Gedichte der schwabischen Dichterin Friederike Robert in den Vertonungen von Fanny HenselHuber, A. / International Musicological Society et al. | 2000
- 655
-
Performing Purcell's `Mad Bess' in Late Eighteenth- and Early Nineteenth-Century EnglandToft, R. / International Musicological Society et al. | 2000
- 656
-
Indagando la musicalita della poesia di Gabriele d'Annunzio: Il Poema paradisiacoSciucca, M. d. / International Musicological Society et al. | 2000
- 656
-
Faustus, Mephistopheles...and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola 1947-55Fearn, R. / International Musicological Society et al. | 2000
- 657
-
Ghost Trio: Die Musik in Samuel Becketts dramatischem SpatwerkMaier, M. / International Musicological Society et al. | 2000
- 657
-
`Es lebe Kulturkampf!': Polish Parody Songs from Nazi Concentration CampsMilewski, B. / Werb, B. / International Musicological Society et al. | 2000
- 657
-
At Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and GermanyKertesz, E. / International Musicological Society et al. | 2000
- 658
-
Alexander Mikhailov as MusicologistKirillina, L. / International Musicological Society et al. | 2000
- 658
-
General Histories of Music and the Place of the European PeripheryMilin, M. / International Musicological Society et al. | 2000
- 659
-
La revision de Boris Godounov par le compositeur letton Melngailis (1924): Premiers elements sur une version inconnue de l'opera de MoussorgskiJacono, J.-M. / Klotins, A. / International Musicological Society et al. | 2000
- 659
-
Baltic Music-History Writing: Problems and PerspectivesLippus, U. / International Musicological Society et al. | 2000
- 659
-
Some Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graca and the Problem of Tradition in Contemporary Portuguese MusicCascudo, T. / International Musicological Society et al. | 2000
- 660
-
How Musicological and Ethnomusicological is Spanish Flamenco?Labajo, J. / International Musicological Society et al. | 2000
- 663
-
Multimedia Environments for the Study of Musical StructureJacobson, D. C. / International Musicological Society et al. | 2000
- 663
-
The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle AgesBorders, J. / International Musicological Society et al. | 2000
- 663
-
Computer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for WozzeckHall, P. / Koseluk, W. / International Musicological Society et al. | 2000
- 664
-
Knowledge-Based Simulations: Technological Tools for Music ResearchMcGee, D. L. / International Musicological Society et al. | 2000
- 664
-
Toward a Model for Background Motivic StructureSchiano, M. / International Musicological Society et al. | 2000
- 665
-
POCO: Tools for Analysing, Modifying, and Generating Performance Expression in MusicDesain, P. / Honing, H. / International Musicological Society et al. | 2000
- 665
-
Computer Applications and Visual Aids for a Historically Orientated Structural Analysis of PitchesZillhardt, R. / International Musicological Society et al. | 2000
- 666
-
Music, Memory, and TimeToiviainen, P. / Kaipainen, M. / International Musicological Society et al. | 2000
- 666
-
An Adaptive Optical Music Recognition SystemFujinaga, I. / International Musicological Society et al. | 2000
- 666
-
A Parallel Processing Key-Finding Model: Structure and ApplicationsVos, P. G. / Van Geenen, E. W. / International Musicological Society et al. | 2000
- 667
-
Villanelle alla napolitana e canzonette alla romanaGiuliani, M. / International Musicological Society et al. | 2000
- 667
-
Lessico italiano della didattica vocaleDurante, S. / International Musicological Society et al. | 2000
- 668
-
Coleccion musical `Fondo Canuto Berea' (archivo y partituras) de la Biblioteca de la Diputacion Provincial de La Coruna (Espana)Pedreira, D. L. / International Musicological Society et al. | 2000
- 668
-
RISM A/II CD-ROMKeil, K. / International Musicological Society et al. | 2000
- 668
-
An Antiphonal from Kranj: Analytical Approach to its ContentsSnoj, J. / International Musicological Society et al. | 2000
- 668
-
Hispanic Music Archive and Library ProjectLaird, P. R. / International Musicological Society et al. | 2000
- 669
-
Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth CenturiesBallester, J. / International Musicological Society et al. | 2000
- 669
-
The Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South AfricaSteyn, C. / Bezuidenhout, M. / International Musicological Society et al. | 2000
- 670
-
The Third Symphony of Gustav Mahler: Ballet by John NeumeierRiggs, R. / Riggs, M. / International Musicological Society et al. | 2000
- 670
-
How did Harry James Make us Love him?Meckna, M. / International Musicological Society et al. | 2000
- 671
-
Music Criticism TodaySaffle, M. / International Musicological Society et al. | 2000
- 671
-
The Duangong: A Qiang ShamanZevik, E. / Zhong, C. / International Musicological Society et al. | 2000