"Next Slide Please": The Lantern Lecture in Britain, 1890-1910 (English)
- New search for: Crangle, R.
- New search for: DOMITOR
- New search for: Library of Congress
- New search for: Crangle, R.
- New search for: Abel, R.
- New search for: Altman, R.
- New search for: DOMITOR
- New search for: Library of Congress
In:
DOMITOR; The sounds of early cinema
;
39-47
;
2001
-
ISBN:
- Conference paper / Print
-
Title:"Next Slide Please": The Lantern Lecture in Britain, 1890-1910
-
Contributors:
-
Conference:Biannual conference; 5th, DOMITOR; The sounds of early cinema ; 1998 ; Washington, DC
-
Published in:
-
Publisher:
- New search for: Indiana University Press
-
Publication date:2001-01-01
-
Size:9 pages
-
ISBN:
-
Type of media:Conference paper
-
Type of material:Print
-
Language:English
-
Keywords:
-
Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 3
-
Early Phonograph Culture and Moving PicturesChristie, I. / DOMITOR / Library of Congress et al. | 2001
- 13
-
Doing for the Eye What the Phonograph Does for the EarGunning, T. / DOMITOR / Library of Congress et al. | 2001
- 32
-
Remarks on Writing and Technologies of Sound in Early CinemaBjorkin, M. / DOMITOR / Library of Congress et al. | 2001
- 39
-
"Next Slide Please": The Lantern Lecture in Britain, 1890-1910Crangle, R. / DOMITOR / Library of Congress et al. | 2001
- 48
-
The Voices of SilenceJost, F. / DOMITOR / Library of Congress et al. | 2001
- 57
-
The Event and the Series: The Decline of Cafes-Concerts, the Failure of Gaumont's Chronophone, and the Birth of Cinema as an ArtArnoldy, E. / DOMITOR / Library of Congress et al. | 2001
- 69
-
Dialogues in Early Silent Screenplays: What Actors Really SaidRaynauld, I. / DOMITOR / Library of Congress et al. | 2001
- 79
-
The First Transi-Sounds of Parallel EditingPerron, B. / DOMITOR / Library of Congress et al. | 2001
- 87
-
Sound, the Jump Cut, and "Trickality" in Early Danish ComediesFullerton, J. / DOMITOR / Library of Congress et al. | 2001
- 95
-
Setting the Pace of a Heartbeat: The Use of Sound Elements in European Melodramas before 1915Nasta, D. / DOMITOR / Library of Congress et al. | 2001
- 110
-
Talking Movie or Silent Theater? Creative Experiments by Vasily GoncharovYangirov, R. M. / DOMITOR / Library of Congress et al. | 2001
- 121
-
Sleighbells and Moving Pictures: On the Trail of D. W. RobertsonWaller, G. / DOMITOR / Library of Congress et al. | 2001
- 129
-
The Story of Percy Peashaker: Debates about Sound Effects in the Early CinemaBottomore, S. / DOMITOR / Library of Congress et al. | 2001
- 143
-
That Most American of Attractions, the Illustrated SongAbel, R. / DOMITOR / Library of Congress et al. | 2001
- 156
-
"The Sensational Acme of Realism": "Talker" Pictures as Early Cinema Sound PracticeKlenotic, J. / DOMITOR / Library of Congress et al. | 2001
- 167
-
"Bells and Whistles": The Sound of Meaning in Train Travel Film RidesRabinovitz, L. / DOMITOR / Library of Congress et al. | 2001
- 183
-
The Noises of Spectators, or the Spectator as Additive to the SpectacleChateauvert, J. / Gaudreault, A. / DOMITOR / Library of Congress et al. | 2001
- 192
-
Early Cinematographic Spectacles: The Role of Sound Accompaniment in the Reception of Moving ImagesPolet, J. / DOMITOR / Library of Congress et al. | 2001
- 198
-
Sounding Canadian: Early Sound Practices and Nationalism in Toronto-Based ExhibitionBraun, M. / Keil, C. / DOMITOR / Library of Congress et al. | 2001
- 205
-
The Double Silence of the "War to End All Wars"Lacasse, G. / DOMITOR / Library of Congress et al. | 2001
- 215
-
Domitor Witnesses the First Complete Public Presentation of the [Dickson Experimental Sound Film] in the Twentieth CenturyLoughney, P. / DOMITOR / Library of Congress et al. | 2001
- 220
-
A "Secondary Action" or Musical Highlight? Melodic Interludes in Early Film Melodrama ReconsideredMayer, D. / Day-Mayer, H. / DOMITOR / Library of Congress et al. | 2001
- 232
-
The Living NickelodeonAltman, R. / DOMITOR / Library of Congress et al. | 2001
- 241
-
Music for Kalem Films: The Special Scores, with Notes on Walter C. SimonReynolds, H. / DOMITOR / Library of Congress et al. | 2001
- 252
-
The Orchestration of Affect: The Motif of Barbarism in Breil's The Birth of a Nation ScoreGaines, J. / Lerner, N. / DOMITOR / Library of Congress et al. | 2001
- 271
-
Appendix A. Les Voies du silenceJost, F. / DOMITOR / Library of Congress et al. | 2001
- 279
-
Appendix B. L'Evenement et la serie: le declin du cafe-concert, l'echec du Chronophone Gaumont et la naissance de l'art cinematographiqueArnoldy, E. / DOMITOR / Library of Congress et al. | 2001
- 289
-
Appendix C. Les transi-sons du cinema des premiers tempsPerron, B. / DOMITOR / Library of Congress et al. | 2001
- 295
-
Appendix D. Les bruits des spectateurs ou: le spectateur comme adjuvant du spectacleChateauvert, J. / Gaudreault, A. / DOMITOR / Library of Congress et al. | 2001
- 303
-
Appendix E. Le spectacle cinematographique des premiers temps: fonctions des accompagnements sonores dans la reception des images animeesPolet, J. / DOMITOR / Library of Congress et al. | 2001
- 309
-
Appendix F. Le double silence de la "derniere" guerreLacasse, G. / DOMITOR / Library of Congress et al. | 2001