Women just don't cut it': Women in the Popular Music Industry (English)
- New search for: Baker, S.
- New search for: International Association for the Study of Popular Music
- New search for: Baker, S.
- New search for: Mitchell, T.
- New search for: Doyle, P.
- New search for: International Association for the Study of Popular Music
In:
International Association for the Study of Popular Music; Changing sounds new directions and configurations in popular music
;
342-347
;
2000
-
ISBN:
- Conference paper / Print
-
Title:Women just don't cut it': Women in the Popular Music Industry
-
Contributors:
-
Conference:10th:; International conference, International Association for the Study of Popular Music; Changing sounds new directions and configurations in popular music ; 1999 ; Sydney, Australia
-
Published in:
-
Publisher:
-
Place of publication:Sydney:
-
Publication date:2000-01-01
-
Size:6 pages
-
ISBN:
-
Type of media:Conference paper
-
Type of material:Print
-
Language:English
-
Keywords:
-
Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 9
-
Anxiety and Celebration: Mapping the Discourses of `World Music'Feld, S. / International Association for the Study of Popular Music et al. | 2000
- 15
-
The Didjeridu in the Studio and the Dynamics of CollaborationAtherton, M. / International Association for the Study of Popular Music et al. | 2000
- 21
-
The Didj Scene: Mapping the Articulations of Local and Global in the Construction of a Music CommunityKibby, M. / International Association for the Study of Popular Music et al. | 2000
- 27
-
Torres Strait Island Music in Brisbane: The Diasporic ImaginationDavies, C. L. / International Association for the Study of Popular Music et al. | 2000
- 35
-
Mipla preize nem blo Yu': Contemporary Christian Songs of Eastern Torres StraitLawrence, H. / International Association for the Study of Popular Music et al. | 2000
- 42
-
Musical Practices and Cultural Identity in the Village of NimbinHannan, M. / International Association for the Study of Popular Music et al. | 2000
- 47
-
Exceeding the Limits: Space, Performance and Music in FestivalsTerho, H. / International Association for the Study of Popular Music et al. | 2000
- 51
-
Culture Conceptualisations in Native American and Australian Aboriginal popular MusicRyan, R. / International Association for the Study of Popular Music et al. | 2000
- 59
-
Peripheral Identities or Popularising Indigenous Music in Mainstream Philippine SocietyBaes, J. / International Association for the Study of Popular Music et al. | 2000
- 63
-
Sounds of a Students' Community: Band Performances on Campus in Kyoto CityHideko, H. / International Association for the Study of Popular Music et al. | 2000
- 67
-
The Significance of `Place' in the Production and Consumption of Music: A Theoretical ApproachGoh, E. / Kong, L. / International Association for the Study of Popular Music et al. | 2000
- 77
-
The Liverpudlian Identity of the `Early' Beatles, 1957-63Nurmesjarvi-Skanikos, T. K. / International Association for the Study of Popular Music et al. | 2000
- 84
-
Interpreting Chalga: Old Indigenous Sounds in New ConfigurationsLevy, C. / International Association for the Study of Popular Music et al. | 2000
- 89
-
Goa trance in Goa: Globalisation, Musical Practice and the Politics of PlaceSaldanha, A. / International Association for the Study of Popular Music et al. | 2000
- 92
-
The (Perverse) Imp of Place: The (Pseudo-)Indigenous Zones of Italian Youth MusicMinganti, F. / International Association for the Study of Popular Music et al. | 2000
- 98
-
Rock and National Language: The Japanese CaseHosokawa, S. / International Association for the Study of Popular Music et al. | 2000
- 102
-
Music and the National Popular in QuebecMorrison, V. / International Association for the Study of Popular Music et al. | 2000
- 106
-
Globalising the Balkans, Balkanising the GlobalVogrinc, J. / International Association for the Study of Popular Music et al. | 2000
- 112
-
Calling Australia Home: Film Music in PriscillaCoyle, R. / International Association for the Study of Popular Music et al. | 2000
- 115
-
Klezmer: Some Australian InterpretationsScott-Maxwell, A. / International Association for the Study of Popular Music et al. | 2000
- 120
-
Rage and Destroy Rites: Youth's Societal Will to LiveChamberland, R. / International Association for the Study of Popular Music et al. | 2000
- 124
-
Darkthrone is absolutely not a political band': Difference and Reflexivity in the Global Extreme Metal SceneHarris, K. / International Association for the Study of Popular Music et al. | 2000
- 130
-
Audiences in Wonderland: The Reception of Rock Music in Chinade Kloet, J. / International Association for the Study of Popular Music et al. | 2000
- 145
-
Lost Riders of the Empire: Non-US Singing Cowboy MusicDoyle, P. / Devitt, R. / International Association for the Study of Popular Music et al. | 2000
- 150
-
Sometimes Unplugged: Canadian Blues Guitarists and Issues of AuthenticityNarvaez, P. / International Association for the Study of Popular Music et al. | 2000
- 157
-
Land of California, Sweet Home, ChicagoOliver, P. / International Association for the Study of Popular Music et al. | 2000
- 162
-
Invisible Walls: Rock and Regionalisation in East GermanyRauhut, M. / International Association for the Study of Popular Music et al. | 2000
- 166
-
There Ain't No Stately Dandies in Lapland: The Appropriation of Englishness in Finnish Pop/RockKallioniemi, K. / International Association for the Study of Popular Music et al. | 2000
- 170
-
`Cool to be Irish': Negotiations of Identity, Authenticity and Globality in the Irish Music SceneVainikainen, V. / International Association for the Study of Popular Music et al. | 2000
- 177
-
Early Australian Brass Band Music as PopWhiteoak, J. / International Association for the Study of Popular Music et al. | 2000
- 183
-
Czechoslovak Jazz-rock Music: A Local Version of an International Phenomenon in the 1970sOpekar, A. / International Association for the Study of Popular Music et al. | 2000
- 188
-
Issues of Diaspora, Community Identity and Strategic Unauthenticity in Popular MusicMutsaers, L. / International Association for the Study of Popular Music et al. | 2000
- 195
-
Gender, Migrancy, and Popular music in South Africa: c. 1948-1960Ballantine, C. / International Association for the Study of Popular Music et al. | 2000
- 198
-
Sibyls and SirensWhiteley, S. / International Association for the Study of Popular Music et al. | 2000
- 202
-
Hip Hop in Aotearoa/New ZealandHapeta, D. / International Association for the Study of Popular Music et al. | 2000
- 208
-
A London Thing: Development of Garage in LondonRietveld, H. / International Association for the Study of Popular Music et al. | 2000
- 213
-
Constructing Histories and Policing Conversations: Gendering Rock DiscourseLeonard, M. / International Association for the Study of Popular Music et al. | 2000
- 217
-
Why Dance? Some Tentative StepsSangster, M. / International Association for the Study of Popular Music et al. | 2000
- 220
-
`Sorted'?: Mapping the Regulation of Dance Parties in AustraliaLuckman, S. / International Association for the Study of Popular Music et al. | 2000
- 224
-
Antipodean Beats: A Spatial Politics of Electronic Music in AustraliaGibson, C. / International Association for the Study of Popular Music et al. | 2000
- 229
-
Mapping the Formation of Dancefloor Culture in Ahmedabad, GujaratZuberi, N. / International Association for the Study of Popular Music et al. | 2000
- 234
-
Britpop: the Importance of Being Irish', or, the Relevance of Ethnicity for Understanding Second-generation Irish Musicians in EnglandCampbell, S. / International Association for the Study of Popular Music et al. | 2000
- 244
-
Musical Processing of Identity: An Ethnomusicological Case StudySuutari, P. / International Association for the Study of Popular Music et al. | 2000
- 246
-
Why Mary Loves Reggae and Grace adores Violent Femmes: Family, Fandom & Fantasy and Forays into Musical TasteBloustien, G. / International Association for the Study of Popular Music et al. | 2000
- 252
-
The Evolution of AlanisEvans, M. / International Association for the Study of Popular Music et al. | 2000
- 256
-
George Michael's Contract or Copyright and Power in the Contemporary Recording IndustryLaing, D. / International Association for the Study of Popular Music et al. | 2000
- 260
-
The Political Economy of CredibilityStraw, W. / International Association for the Study of Popular Music et al. | 2000
- 263
-
Regulating Circulation, Policing Valorisation, Situating Fame: The Location of International Pop Star Celine DionGrenier, L. / International Association for the Study of Popular Music et al. | 2000
- 267
-
Marketing Classical Music to Popular Audiences in Austin, Texas: A Case Study of KMFA-FMEverett, H. J. / International Association for the Study of Popular Music et al. | 2000
- 272
-
Australian Rock and Cultural PolicyHoman, S. / International Association for the Study of Popular Music et al. | 2000
- 275
-
Cultural Policy and National Identity: the Case of New Zealand Popular MusicShuker, R. / International Association for the Study of Popular Music et al. | 2000
- 279
-
The State, Cultural Policy and the Politicisation of Music Industry Concerns: The Case of the Republic of IrelandStrachan, R. / Leonard, M. / International Association for the Study of Popular Music et al. | 2000
- 284
-
Does Scotland Fit the MISC Model?Symon, P. / International Association for the Study of Popular Music et al. | 2000
- 290
-
Crisis? What Crisis? Independent Rock in MontrealStahl, G. / International Association for the Study of Popular Music et al. | 2000
- 295
-
Effects of the Parallel Import Legislation in AustraliaKing, G. / International Association for the Study of Popular Music et al. | 2000
- 298
-
Labour's New Deal For Musicians: Turning Rebellion into Money?Cloonan, M. / International Association for the Study of Popular Music et al. | 2000
- 305
-
Making Money in the Music Industry: Export Earnings of the Swedish Music Industry 1994 - 1997Burnett, R. / International Association for the Study of Popular Music et al. | 2000
- 309
-
Provocation and Repression after Socialism: the Strelnikoff CaseMursic, R. / International Association for the Study of Popular Music et al. | 2000
- 319
-
The Domain of Songwriters: Towards a Definition of `Song'McIntyre, P. / International Association for the Study of Popular Music et al. | 2000
- 325
-
On the Radway Trail: Selling Vintage Reggae to the WorldHuss, H. / Makela, J. / International Association for the Study of Popular Music et al. | 2000
- 337
-
Way out West where the Rain don't Fall: Music Venues in Sydney's Greater WestSloggett, J. / International Association for the Study of Popular Music et al. | 2000
- 342
-
Women just don't cut it': Women in the Popular Music IndustryBaker, S. / International Association for the Study of Popular Music et al. | 2000
- 348
-
Shameful and Unmanly: The Microphone in Australian MusicJohnson, B. / International Association for the Study of Popular Music et al. | 2000
- 355
-
Press Record, Play and Repeat: Taking Repetition SeriouslyHawkins, S. / International Association for the Study of Popular Music et al. | 2000
- 362
-
Tracking IdentificationsKassabian, A. / International Association for the Study of Popular Music et al. | 2000
- 365
-
Music in Advertising: the Creation of an Australian TV CommercialFitzgerald, J. / International Association for the Study of Popular Music et al. | 2000
- 369
-
Clubbing: A New Performance TraditionTill, R. / International Association for the Study of Popular Music et al. | 2000
- 374
-
Sampling the World: Some Observations and QuestionsBinas, S. / International Association for the Study of Popular Music et al. | 2000
- 378
-
Towards a Theoretical Model of UK Music RadioPercival, M. / International Association for the Study of Popular Music et al. | 2000
- 391
-
Seduction through the Language of Images: German Music Television Advertising Campaigns in the 1990sNeumann-Braun, K. / International Association for the Study of Popular Music et al. | 2000
- 395
-
Real Time To Hyper-Real Gestures: Expanding Instrumental Expression Through Physical Modelling SynthesisWhalley, I. / International Association for the Study of Popular Music et al. | 2000
- 402
-
Chaos/Disruption as a Creative Element and Ideological SignifierBowman, R. / International Association for the Study of Popular Music et al. | 2000
- 406
-
Aesthetics, Technology and Music: Three DiscoursesMckellar, L. / International Association for the Study of Popular Music et al. | 2000
- 410
-
Deliverance', a Monster in a War Field: A Hybrid Composition Born at IRCAMCera, A. / International Association for the Study of Popular Music et al. | 2000
- 416
-
Film Songs, Film Singers, and Intertextuality in Hong Kong Popular Song and Cinema: Some Preliminary ObservationsWitzleben, J. L. / International Association for the Study of Popular Music et al. | 2000
- 418
-
Arty Adverts, Puffy Pictures: Finnish Music Videos as Short FilmsKarja, A.-V. / International Association for the Study of Popular Music et al. | 2000
- 422
-
Jump in and Xplore: The Perception of Music and Space in Music CD-ROMsTobler, B. / International Association for the Study of Popular Music et al. | 2000
- 427
-
Unpacking the Box: The Selling of silverchairHill, M. / International Association for the Study of Popular Music et al. | 2000
- 432
-
Where Have All the Pianos Gone? Development, Authenticity and Domestication of Electronic Instruments in Japanese Popular MusicSeyama, T. / Tanaka, K. / International Association for the Study of Popular Music et al. | 2000