INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILE (English)
- New search for: Yoo, M.-J.
- New search for: Lee, I.-K.
- New search for: Yoo, M.-J.
- New search for: Lee, I.-K.
In:
International commputer music conference; ICMC
;
113-116
;
2007
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ISBN:
- Conference paper / Print
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Title:INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILE
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Contributors:Yoo, M.-J. ( author ) / Lee, I.-K. ( author )
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Conference:International commputer music conference; ICMC ; 2007 ; Copenhagen, Denmark
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Published in:
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Publisher:
- New search for: International Computer Music Association
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Place of publication:San Francisco
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Publication date:2007-01-01
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Size:4 pages
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ISBN:
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Type of media:Conference paper
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Type of material:Print
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Language:English
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Keywords:
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Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 1
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DRUM'N'BAYES: ON-LINE VARIATIONAL INFERENCE FOR BEAT TRACKING AND RHYTHM RECOGNITIONFox, C. / Rezek, I. / Roberts, S. et al. | 2007
- 1
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THE INFLUENCE OF BODY MORPHOLOGY ON PREFERRED DANCE TEMPOSDahl, S. / Huron, D. et al. | 2007
- 5
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PSYCHOACOUSTIC MANIPULATION OF THE SOUND INDUCED ILLUSORY FLASHWilkie, S. / Stevens, C. / Dean, R. et al. | 2007
- 9
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COGNITIVE IMPLICATIONS OF MUSICAL PERCEPTIONLockhart, A. et al. | 2007
- 9
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DRUM CIRCLE: INTELLIGENT AGENTS IN MAX/MSPEigenfeldt, A. et al. | 2007
- 13
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RHYTHM INTERACTION SYSTEM BASED ON RHYTHM ASSOCIATIONKasahara, S. / Yamaguchi, T. / Saegusa, R. / Hashimoto, S. et al. | 2007
- 13
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PANEL: THE NEED OF FORMATS FOR STREAMING AND STORING MUSIC-RELATED MOVEMENT AND GESTURE DATAJensenius, A.R. / Camurri, A. / Castagne, N. / Maestre, E. / Malloch, J. / McGilvray, D. / Schwarz, D. / Wright, M. et al. | 2007
- 17
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THE SOUND INSTALLATIONIturbide, M.R. et al. | 2007
- 17
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WHERE'S THE BEAT? TOOLS FOR DYNAMIC TEMPO CALCULATIONSSchacher, J. / Neukom, M. et al. | 2007
- 21
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MOBILE IMMERSIVE MUSICGuerraz, A. / Lemordant, J. et al. | 2007
- 21
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EXPRESSIVE MODIFICATIONS OF MUSICAL AUDIO RECORDINGS: PRELIMINARY RESULTSFabiani, M. / Friberg, A. et al. | 2007
- 25
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AUTOMATIC NOTATION GENERATORSBarrett, G.D. / Winter, M. / Wulfson, H. et al. | 2007
- 25
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LIBXTRACT: A LIGHTWEIGHT LIBRARY FOR AUDIO FEATURE EXTRACTIONBullock, J. et al. | 2007
- 29
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DATA JOCKEY, A TOOL FOR META-DATA ENHANCED DIGITAL DJING AND ACTIVE LISTENINGNorman, A. / Amatriain, X. et al. | 2007
- 31
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ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMINGDannenberg, R. et al. | 2007
- 33
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PHYSMISM: RE-INTRODUCING PHYSICAL MODELLING FOR ELECTRONIC MUSICAL EXPLORATIONGelineck, S. / Bottcher, N. / Serafin, S. et al. | 2007
- 35
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COMBINING ANALYSIS AND SYNTHESIS IN THE CHUCK PROGRAMMING LANGUAGEWang, G. / Fiebrink, R. / Cook, P. et al. | 2007
- 37
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STIRRING, SHAKING, AND MIXING: MUSICALIZING EVERYDAY ACTIONSKojs, J. et al. | 2007
- 41
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GAMELUNCH: A PHYSICS-BASED SONIC DINING TABLEMonache, S.D. / Polotti, P. / Papetti, S. / Rocchesso, D. et al. | 2007
- 43
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LIBINTEGRA: A SYSTEM FOR SOFTWARE-INDEPENDENT MULTIMEDIA MODULE DESCRIPTION AND STORAGEBullock, J. / Frisk, H. et al. | 2007
- 45
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COMBINING DJ SCRATCHING, TANGIBLE INTERFACES AND A PHYSICS-BASED MODEL OF FRICTION SOUNDSHansen, K.F. / Alonso, M. / Dimitrov, S. et al. | 2007
- 47
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MUSICAL APPLICATIONS OF REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESISSchwarz, D. / Britton, S. / Cahen, R. / Goepfer, T. et al. | 2007
- 49
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TEACHING DIGITAL AUDIO PROGRAMMING: NOTES ON A TWO-YEAR COURSE SEQUENCEPope, S. et al. | 2007
- 51
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MACSET - A FREE VISUAL CROSS-PLATFORM PITCH-CLASS SET THEORETICAL APPLICATIONKuuskankare, M. / Castren, M. / Laurson, M. et al. | 2007
- 53
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THE 3D AUGMENTED MIRROR: MOTION ANALYSIS FOR STRING PRACTICE TRAININGNg, K. et al. | 2007
- 55
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DEVELOPMENT TOOLS FOR PWGLSYNTHNorilo, V. / Laurson, M. et al. | 2007
- 57
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DESIGN AND IMPLEMENTATION OF CNMAT'S PEDAGOGICAL SOFTWAREZbyszynski, M. / Wright, M. / Campion, E. et al. | 2007
- 59
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THE EFFECT OF TIMBRE IN CLARINET INTERPRETATIONBarthet, M. / Depalle, P. / Kronland-Martinet, R. / Ystad, S. et al. | 2007
- 61
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A PRACTICE-BASED APPROACH TO USING ACOUSTICS AND TECHNOLOGY IN MUSICIANSHIP TRAININGYoung, J.F. / Picinali, L. / Moraitis, D. et al. | 2007
- 63
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THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATAKendall, G. et al. | 2007
- 65
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FROM CONTROLLER TO SOUND: TOOLS FOR COLLABORATIVE DEVELOPMENT OF DIGITAL MUSICAL INSTRUMENTSMalloch, J. / Sinclair, S. / Wanderley, M. et al. | 2007
- 69
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PERCEPTUAL CATEGORIZATION OF MOVING SOUNDS FOR SYNTHESIS APPLICATIONSMerer, A. / Ystad, S. / Kronland-Martinet, R. / Aramaki, M. / Besson, M. / Velay, J.-L. et al. | 2007
- 73
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NON-LINEAR SCALING TECHNIQUES FOR UNCOVERING THE PERCEPTUAL DIMENSIONS OF TIMBREBurgoyne, J.A. / McAdams, S. et al. | 2007
- 73
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AN ANALYSIS OF STARTUP AND DYNAMIC LATENCY IN PHASE VOCODER-BASED TIME-STRETCHING ALGORITHMSLee, E. / Karrer, T. / Borchers, J. et al. | 2007
- 77
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ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION THROUGH GESTURE IN IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTSBrooks, A. et al. | 2007
- 81
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PHYSICAL MODELING AS A PROPOSED FRAMEWORK FOR THE CONCEPTION, THE DESIGN AND THE IMPLEMENTATION OF SOUND TRANSFORMATIONSKontogeorgakopoulos, A. / Cadoz, C. et al. | 2007
- 81
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HOW TO BE LOST: PRINCIPLED PRIMING AND PRUNING WITH PARTICLES IN SCORE FOLLOWINGFox, C. / Quinn, J. et al. | 2007
- 85
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A GA TOOL FOR COMPUTER ASSISTED MUSIC COMPOSITIONTzimeas, D. / Mangina, E. et al. | 2007
- 89
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GHI PROJECT : NEW APPROACH FOR MUSICAL INSTRUMENTSNagashima, Y. et al. | 2007
- 89
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AN INTELLIGENT MULTI-TRACK AUDIO EDITORDannenberg, R. et al. | 2007
- 93
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THE USABILITY OF MUSIC THEORY SOFTWARE: THE ANALYSIS OF TWELVE-TONE MUSIC AS A CASE STUDYIlomaki, T. et al. | 2007
- 95
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LITTER MUTATORS: MOVING MORPHOLOGICAL MUTATIONS INSIDE TIMECastine, P. et al. | 2007
- 97
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PETRI NETS APPLICABILITY TO MUSIC ANALYSIS AND COMPOSITIONBarate, A. / Haus, G. / Ludovico, L.A. et al. | 2007
- 99
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REAL-TIME, LOW-LATENCY AUDIO PROCESSING IN JAVAJuillerat, N. / Arisona, S.M. / Schubiger-Banz, S. et al. | 2007
- 101
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AN EXPERIMENTAL COMPARISON OF FORMAL MEASURES OF RHYTHMIC SYNCOPATIONGomez, F. / Thul, E. / Toussaint, G. et al. | 2007
- 103
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REAL-TIME MUSIC SYNTHESIS IN JAVA USING THE METRONOME GARBAGE COLLECTORAuerbach, J. / Bacon, D.F. / Bomers, F. / Cheng, P. et al. | 2007
- 105
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INVENTING NEW INSTRUMENTS BASED ON A COMPUTATIONAL ``HACK'' TO MAKE AN OUT-OF-TUNE OR UNPITCHED INSTRUMENT PLAY IN PERFECT HARMONYMann, S. / Janzen, R. / Lo, R. / Aimone, C. et al. | 2007
- 111
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COMPOSING WITH HYPERSCORE: AN INTUITIVE INTERFACE FOR VISUALIZING MUSICAL STRUCTUREFarbood, M. / Kaufman, H. / Jennings, K. et al. | 2007
- 113
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INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILEYoo, M.-J. / Lee, I.-K. et al. | 2007
- 117
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THE TONCOLARIUM - IMMERSIVE COLOR-MUSIC INSTRUMENTYanagisawa, D. et al. | 2007
- 118
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A MUSICAL FRAMEWORK WITH SWARMING ROBOTSUozumi, Y. / Takahashi, M. / Kobayashi, R. et al. | 2007
- 121
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SAL: A SIMPLE ALGORITHMIC LANGUAGE IN COMMON MUSICTaube, H. et al. | 2007
- 122
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SONOFUSION: DEVELOPMENT OF A MULTIMEDIA COMPOSITION FOR OVERTONE VIOLINThompson, J. / Overholt, D. et al. | 2007
- 125
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THE ELECTROMAGNETICALLY-PREPARED PIANO AND ITS COMPOSITIONAL IMPLICATIONSBloland, P. et al. | 2007
- 126
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VSCORE 1.1: A REAL-TIME VISUAL APPLICATION FOR SCORING MUSICKojs, J. / Topper, D. et al. | 2007
- 129
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DYNAMIC LARGE SCALE GESTURAL CONTROL IN SUPERCOLLIDER SERVERParmenter, J. et al. | 2007
- 129
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BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGSHamilton, R. et al. | 2007
- 133
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HOW COMPUTER MUSIC MODELING AND RETRIEVAL INTERFACE WITH MUSIC-AND-MEANING STUDIES: OVERVIEW OF PANELISTS' SUGGESTIONS FOR DISCUSSION TOPICSGrund, C. et al. | 2007
- 133
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ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APARTSchroeder, F. / Renaud, A. / Rebelo, P. / Gualda, F. et al. | 2007
- 137
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UNDERSTANDING EMOTION IN RAAG: AN EMPIRICAL STUDY OF LISTENER RESPONSESChordia, P. / Rae, A. et al. | 2007
- 141
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THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNGLandy, L. et al. | 2007
- 145
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INTRODUCTION TO MUSICAL SEMANTICSKuhl, O. et al. | 2007
- 145
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SCORE-BASED CONTROL OF GUQIN SYNTHESISLaurson, M. / Kuuskankare, M. / Penttinen, H. / Li, H. et al. | 2007
- 149
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MUSICIANS OUTPERFORM NON-MUSICIANS IN A STUDY WITH SPEECH IMITATIONPastuszek-Lipinska, B. et al. | 2007
- 149
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FABRICATING AURAL LANDSCAPES: SOME COMPOSITIONAL IMPLICATIONS OF TROMPE L'OREILLEBatchelor, P. et al. | 2007
- 153
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REAL-TIME PROCESSING ON THE ROAD: A GUIDED TOUR OF [IKS]'S ABSTR/CNCR SETUPTremblay, P.A. / Boucher, N. / Pohu, S. et al. | 2007
- 153
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FATTA: FULL AUTOMATIC TIME-SPAN TREE ANALYZERHamanaka, M. / Hirata, K. / Tojo, S. et al. | 2007
- 157
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AUDIO MATCHING FOR THE PHILOLOGICAL ANALYSIS OF ELECTROACOUSTIC MUSICOrio, N. / Zattra, L. et al. | 2007
- 157
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REAL-TIME ANALYSIS OF SENSORY DISSONANCEMacCallum, J. et al. | 2007
- 161
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TOWARDS A COMPLETE OPEN SOURCE SOFTWARE ENVIRONMENT FOR THE CREATION OF INTERACTIVE POLY-ARTISTIC WORKDonikian, S. / Delerue, O. / Clenet, G. / Bianco, T. et al. | 2007
- 165
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RECONSTRUCTING STRIADahan, K. et al. | 2007
- 165
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HARMONIC, MELODIC, AND FUNCTIONAL AUTOMATIC ANALYSISIllescas, P.R. / Rizo, D. / Inesta, J.M. et al. | 2007
- 169
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FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE-IMMERSED IN RICH DETAILChowning, J. et al. | 2007
- 169
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RECOVERING GIACINTO SCELSI'S TAPESBernardini, N. et al. | 2007
- 173
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CREATING VON FOERSTER'S NON-TRIVIAL MACHINE IN DIGITAL AUDIOChandra, A. et al. | 2007
- 176
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INTRODUCTION OF DIPS3 (VERSION 2) FOR MAX/MSPRai, T. / Miyama, C. / Hamano, T. / Fukuda, T. / Matsuda, S. / Morimoto, Y. et al. | 2007
- 179
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GENESYNTH: NOISE BAND-BASED GENETIC ALGORITHM ANALYSIS/SYNTHESIS FRAMEWORKChinen, M. / Osaka, N. et al. | 2007
- 180
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CONTROLLING AURAL AND VISUAL PARTICLE SYSTEMS THROUGH HUMAN MOVEMENTGuedes, C. / Woolford, K. et al. | 2007
- 183
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HOW MUSICAL ARE IMAGES? FROM SOUND REPRESENTATION TO IMAGE SONIFICATION: AN ECO-SYSTEMIC APPROACHThiebaut, J.-B. / Mary, Q. / Bello, J. / Schwarz, D. et al. | 2007
- 184
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THE FEATSYNTH FRAMEWORK FOR FEATURE-BASED SYNTHESIS: DESIGN AND APPLICATIONSHoffman, M. / Cook, P. et al. | 2007
- 188
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COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATIONDamien, T. / Gregoire, C. / Rodet, X. et al. | 2007
- 188
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A COMPUTER-BASED IMPLEMENTATION OF BASSO CONTINUO RULES FOR FIGURED BASS REALIZATIONSKnopke, I. / Wead, A. et al. | 2007
- 192
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A COMPUTER-AIDED SOUNDTRACK COMPOSITION SYSTEM DESIGNED FOR HUMANSVane, E. / Cowan, W. et al. | 2007
- 192
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A REAL-TIME GENETIC ALGORITHM IN HUMAN-ROBOT MUSICAL IMPROVISATIONWeinberg, G. / Godfrey, M. / Rae, A. / Rhoads, J. et al. | 2007
- 196
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ICAST: TRIALS AND TRIBULATIONS OF DEPLOYING LARGE SCALE COMPUTER-CONTROLLED SPEAKER ARRAYSBeck, S.D. / Willkie, B. / Patrick, J. et al. | 2007
- 200
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REMEMBERING THE FUTURE: AN OVERVIEW OF CO-EVOLUTION IN MUSICAL IMPROVISATIONPlans, D. / Morelli, D. et al. | 2007
- 200
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SHAMUS - A SENSOR-BASED INTEGRATED MOBILE PHONE INSTRUMENTEssl, G. / Rohs, M. et al. | 2007
- 204
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DECONCERT: BATHING IN THE LIGHT, SOUND, AND WATERS OF THE MUSICAL BRAINBATHSMann, S. / Fung, J. / Garten, A. et al. | 2007
- 206
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FROM FUX TO RAGASMORPHING CONTRAPUNTAL WORLDSJunod, J. / Mazzola, G. et al. | 2007
- 212
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KEY-FINDING WITH INTERVAL PROFILESMadsen, S.T. / Widmer, G. et al. | 2007
- 214
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DEVELOPING CHINESE STYLE ALGORITHMIC COMPOSITION USING MARKOV CHAINS - FROM THE CLASSICAL CHINESE-POETRY PERSPECTIVERen, J. / Winsor, P. / Huang, C.-F. et al. | 2007
- 216
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A SCORE-TO-SINGING VOICE SYNTHESIS SYSTEM FOR THE GREEK LANGUAGEKyritsi, V. / Georgaki, A. / Kouroupetroglou, G. et al. | 2007
- 220
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EFFECTS OF MUSICALLY MEANINGFUL OPERATORS IN EVOLUTIONARY COMPOSITIONHuddleston, J. / Zhang, J. et al. | 2007
- 224
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REALITV (PAPER)Castine, P. / Dekron, J. et al. | 2007
- 224
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AUDIO ORACLE: A NEW ALGORITHM FOR FAST LEARNING OF AUDIO STRUCTURESDubnov, S. / Assayag, G. / Cont, A. et al. | 2007
- 228
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EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELSHazan, A. / Brossier, P. / Holonowicz, P. / Herrera, P. / Purwins, H. et al. | 2007
- 228
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SHARING AND COMBINING LISTENING EXPERIENCE: A SOCIAL APPROACH TO WEB RADIOBaccigalupo, C. / Plaza, E. et al. | 2007
- 232
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SOUND CONTROLLED MUSICAL INSTRUMENTS BASED ON PHYSICAL MODELSJohnston, A. / Marks, B. / Candy, L. et al. | 2007
- 236
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AUTOMATED QUANTISATION AND TRANSCRIPTION OF MUSICAL ORNAMENTS FROM AUDIO RECORDINGSBoenn, G. et al. | 2007
- 240
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NOTE-BASED SEGMENTATION AND HIERARCHY IN THE CLASSIFICATION OF DIGITAL MUSICAL INSTRUMENTSSomerville, P. / Uitdenbogerd, A. et al. | 2007
- 240
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PERFORMANCE CONTROL OF A FLUTE PHYSICAL MODEL USING FUZZY LOGICDe la Cuadra, P. / Cadiz, R. / Fabre, B. / Montgermont, N. et al. | 2007
- 244
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PRODUCTION OF IMMERSIVE MUSICAL ARCHITECTURES BY PHYSICAL MODELLING OF SELF-SUSTAINED OSCILLATING STRUCTURESPoyer, F. / Cadoz, C. et al. | 2007
- 248
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SONG IDENTIFICATION THROUGH HMM-BASED MODELING OF THE MAIN MELODYOrio, N. / Zen, C. et al. | 2007
- 252
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EXTENDING THE GENERALIZED REED MODEL WITH MEASURED REFLECTION FUNCTIONSSmyth, T. / Abel, J. et al. | 2007
- 252
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GUIDAGE: A FAST AUDIO QUERY GUIDED ASSEMBLAGECont, A. / Shlomo, D. / Assayag, G. et al. | 2007
- 256
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PANEL: MODELS AND APIS FOR AUDIO SYNTHESIS AND PROCESSINGPope, S. / Dannenberg, R. et al. | 2007
- 259
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COMPUTER ASSISTED COMPOSITION IN EQUAL TUNINGS: TONAL COGNITION AND THE THIRTEEN TONE MARCHSeymour, J.C. et al. | 2007
- 260
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THE ELECTRIC HYDRAULOPHONE: AN ACOUSTIC HYPERINSTRUMENT WITH FEEDBACKMann, S. / Janzen, R. / Meier, J. et al. | 2007
- 263
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INDIRECT ACQUISITION OF FINGERINGS OF HARMONIC NOTES ON THE FLUTEKereliuk, C. / Scherrer, B. / Verfaille, V. / Depalle, P. / Wanderley, M. et al. | 2007
- 267
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THE CREATION OF EVOLUTIONARY RHYTHMS WITHIN A MULTI-AGENT NETWORKED DRUM ENSEMBLEEigenfeldt, A. et al. | 2007
- 268
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MUSICAL SOUNDSCAPES FOR AN ACCESSIBLE AQUARIUM: BRINGING DYNAMIC EXHIBITS TO THE VISUALLY IMPAIREDWalker, B.N. / Kim, J. / Pendse, A. et al. | 2007
- 271
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INT.LIB - A GRAPHICAL PRESENT INTERPOLATOR FOR MAX MSPLarkin, O. et al. | 2007
- 275
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SERIAL RSS SOUND INSTALLATION AS OPEN WORK: THE BABELCASTAriza, C. et al. | 2007
- 276
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IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHEREAmatriain, X. / Hollerer, T. / Kuchera-Morin, J. / Pope, S. et al. | 2007
- 279
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DIGITAL PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCESNg, K. et al. | 2007
- 283
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NONLINEAR FILTERSHolopainen, R. et al. | 2007
- 284
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THE DOME: A CASE STUDY FOR GENERATIVE SOUND IN PUBLIC ARTBirchfield, D. / Cuthbertson, A. / Lundquist, L. / Smith, R. et al. | 2007
- 287
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ON TIMBRE STAMPS AND OTHER FREQUENCY-DOMAIN FILTERSPuckette, M. et al. | 2007
- 291
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PRESERVING THE STRUCTURE OF THE MOOG VCF IN THE DIGITAL DOMAINFontana, F. et al. | 2007
- 292
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aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODINGSorensen, A. / Brown, A. et al. | 2007
- 295
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LIVE CODING: AN OVERVIEWZmolnig, I. / Eckel, G. et al. | 2007
- 299
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PHYSICAL AND BEHAVIORAL CIRCUIT MODELING OF THE SP-12 SAMPLERYeh, D. / Nolting, J. / Smith, J.O. et al. | 2007
- 300
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SOUNDANISM: BLURRED BY BREATHINGAlvarez-Fernandez, M. / Piascik, A. / Kersten, S. et al. | 2007
- 303
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SOUND&MEDIA STUDIOS @ LONDONMET, COMMERCIAL RDGaravaglia, J. et al. | 2007
- 304
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RECOGNITION OF PHYSICAL MOTION PATTERN USING STOCHASTIC PETRI NETS FOR SOUND SYNTHESISOsaka, N. et al. | 2007
- 307
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STUDIO REPORT: THE PROGRAM IN ELECTRONIC MUSIC COMPOSITION AND MUSICAL PRODUCTION AT THE SCHOOL OF THE ARTS OF THE POLYTECHNIC INSTITUTE OF CASTELO BRANCOGuedes, C. / Dias, R. et al. | 2007
- 308
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USING A 3D MODELLING PROGRAM AS A MUSICAL CONTROLLERBerry, R. et al. | 2007
- 311
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THE ELECTRO-ACOUSTIC MUSIC CENTER AT THE UNIVERSITY OF WISCONSIN-MILWAUKEEBurns, C. / Schlei, K. / Welstead, J. et al. | 2007
- 312
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ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTIONStowell, D. / Plumbley, M. / Mary, Q. et al. | 2007
- 314
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CINCINNATI'S CENTER FOR COMPUTER MUSIC IN 2007: (CCM)^2Helmuth, M. / Merkowitz, J.B. / McKinney, B. / Shiota, K. / Stark, C. et al. | 2007
- 317
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SCRIME STUDIO REPORTDesainte-Catherine, M. / Marchand, S. / Hanna, P. / Strandh, R. / Robine, M. et al. | 2007
- 320
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FAST SOUND TEXTURE SYNTHESIS USING OVERLAP-ADDFrojd, M. / Horner, A. et al. | 2007
- 321
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STUDIO REPORT: SOUND ARTS AND DESIGN AT LONDON COLLEGE OF COMMUNICATIONLane, C. et al. | 2007
- 324
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MUSED: NAVIGATING THE PERSONAL SAMPLE LIBRARYColeman, G. et al. | 2007
- 325
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CNMAT INFORMATION ARCHITECTURESchmeder, A. / Wright, M. / Freed, A. / Campion, E. / Wessel, D. et al. | 2007
- 328
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DESIGNING AND CONTROLLING A SOURCE-FILTER MODEL FOR NATURALISTIC AND EXPRESSIVE SINGING VOICE SYNTHESISBelanger, O. / Traube, C. / Piche, J. et al. | 2007
- 329
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CCRMA STUDIO REPORTLopez-Lezcano, F. / Wilkerson, C. / Hamilton, R. et al. | 2007
- 332
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THE IXIQUARKS: MERGING CODE AND GUI IN A CREATIVE SPACEMagnusson, T. et al. | 2007
- 333
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STUDIO REPORT: CENTER FOR EXPERIMENTAL MUSIC AND INTERMEDIA, UNIVERSITY OF NORTH TEXASMay, A. / Nelson, J.C. et al. | 2007
- 337
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NEW MEDIA MUSIC AT HANYANG UNIVERSITY: STUDIO REPORTYim, J. / Dudas, R. et al. | 2007
- 340
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THE CARNEGIE MELLON LAPTOP ORCHESTRADannenberg, R. / Sofia, C. / Ang, E. / Avramovic, I. / Aygun, B. / Baek, J. / Barndollar, E. / Duterte, D. / Grafton, J. / Hunter, R. et al. | 2007
- 341
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USING LUA FOR AUDIOVISUAL COMPOSITIONWakefield, G. / Smith, W. et al. | 2007
- 344
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MAPS AND LEGENDS: FPS-BASED INTERFACES FOR COMPOSITION AND IMMERSIVE PERFORMANCEHamilton, R. et al. | 2007
- 345
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THE STRINGBALL: A BALL INTERFACE WITH STRINGS FOR COLLABORATIVE PERFORMANCEYeo, W.S. / Yoon, J.W. / Cho, H.Y. et al. | 2007
- 348
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A NEW GESTURAL CONTROL PARADIGM FOR MUSICAL EXPRESSION: REAL-TIME CONDUCTING ANALYSIS VIA TEMPORAL EXPECTANCY MODELSSwaminathan, D. / Thornburg, H. / Ingalls, T. / James, J. / Rajko, S. / Afanador, K. et al. | 2007
- 349
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MUNGER1 : TOWARDS A CROSS-PLATFORM SWISS-ARMY KNIFE OF REAL-TIME GRANULAR SYNTHESISBukvic, I. / Kim, J.-S. / Trueman, D. / Grill, T. et al. | 2007
- 355
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{TRANSPELL}Shiota, K. et al. | 2007
- 356
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AN OVERVIEW TO THE RESEARCH APPROACHES ON MUSICAL PERFORMANCE ROBOTSSolis, J. / Takanishi, A. et al. | 2007
- 359
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ELECTRIC KOTO BY VIBRATING BODYNaoya, T. / Mitsuharu, M. / Hashimoto, S. et al. | 2007
- 360
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DJ SPAT: SPATIALIZED INTERACTIONS FOR DJSMarentakis, G. / Peters, N. / McAdams, S. et al. | 2007
- 363
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A PHYSICALLY INTUITIVE HAPTIC DRUMSTICKBerdahl, E. / Verplank, B. / Smith, J.O. / Niemeyer, G. et al. | 2007
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A SUPPORT SYSTEM FOR BASIC PRACTICE OF PLAYING THE DRUMSIwami, N. / Miura, M. et al. | 2007
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RASTERPIECE: A CROSS-MODAL FRAMEWORK FOR REAL-TIME IMAGE SONIFICATION, SOUND SYNTHESIS, AND MULTIMEDIA ARTYeo, W.S. / Berger, J. et al. | 2007
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FEATURE MODULATION SYNTHESIS (FMS)Park, T.H. / Biguenet, J. / Li, Z. / Richardson, C. / Scharr, T. et al. | 2007
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META-SEQUENCING: CONTROLLING SEQUENCE VOICES AND POLYPHONY USING THE POLYMAP, SIEVE, VALVE AND MASKXOR OBJECTS IN PURE DATAKelly, E. et al. | 2007
- 375
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LEARNING SOUNDING GESTURESMion, L. / De Gotzen, A. / Avanzini, F. / Serafin, S. et al. | 2007
- 378
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EXTENDED APPLICATIONS OF THE WIRELESS SENSOR ARRAY (WISEAR)Rogers, T. / Topper, D. et al. | 2007
- 379
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A HAND DRUMMING DATASET FOR PHYSICAL MODELINGJones, R. / Lagrange, M. / Schloss, A. et al. | 2007
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ANALYSIS OF SAXOPHONE PERFORMANCE FOR COMPUTER-ASSISTED TUTORINGRobine, M. / Percival, G. / Lagrange, M. et al. | 2007
- 382
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A PLAYABLE SYNTHESIS MODEL AND CONTROLLER FOR BOWED STRING INSTRUMENTSTakala, T. et al. | 2007
- 385
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AN EXPLORATION INTO POTENTIAL RELEVANCE OF DIFFERENCES OF INDIVIDUAL SOUNDS IN DRUM PATTERNSRath, M. / Waeltermann, M. et al. | 2007
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ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICEMaestre, E. / Bonada, J. / Blaauw, M. / Perez, A. / Guaus, E. et al. | 2007
- 389
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AUDIOVISUAL CONCATENATIVE SYNTHESISCollins, N. et al. | 2007
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A COMPARISON OF SOLENOID-BASED STRATEGIES FOR ROBOTIC DRUMMINGKapur, A. / Singer, E. / Suleman, A. / Tzanetakis, G. et al. | 2007
- 394
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INVESTIGATING THE PERFORMANCE OF A VIOLIN PHYSICAL MODEL: RECENT REAL PLAYER STUDIESYoung, D. / Serafin, S. et al. | 2007
- 397
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A SYSTEMATIC APPROACH TO MUSICAL VIBROTACTILE FEEDBACKBirnbaum, D. / Wanderley, M. et al. | 2007
- 398
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EDITING STRATEGIES FOR BEZIER-MODELED CONTINUOUS EXPRESSION CURVESBret-Battey et al. | 2007
- 402
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SOUND SPATIALISATION AND COUPLED CELL NETWORKSClark, J.O. et al. | 2007
- 405
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FOCUS-PLUS-CONTEXT DISPLAYS FOR AUDIO INTERACTIONGerhard, D. / Ellis, J. et al. | 2007
- 405
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NAVIGATING THE ORACLE: A HEURISTIC APPROACHAssayag, G. / Bloch, G. et al. | 2007
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BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCESalter, C.L. / Baalman, M. / Moody-Grigsby, D. et al. | 2007
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A SCORE-BASED INTERFACE FOR INTERACTIVE COMPUTER MUSICLitke, D. / Hamel, K. et al. | 2007
- 419
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COMPOSITION WITH SOUND WEB SERVICES AND WORKFLOWSFfitch, J. / Mitchell, J. / Padget, J. et al. | 2007
- 421
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RTS: REAL TIME SCHEDULING IN COMMON MUSICTaube, H. / Ingalls, T. et al. | 2007
- 423
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NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENTGrierson, M. et al. | 2007
- 425
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AUTOMATIC THOROUGH-BASS REALIZATION IN BAROQUE MUSICNiitsuma, M. et al. | 2007
- 427
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INTERACTIVE SOUNDSCAPE DESIGN WITH EVOLUTIONARY SOUND PROCESSINGFornari, J. / Maia, A. / Manzolli, J. et al. | 2007
- 429
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MANIFOLD COMPOSITIONS: FORMAL CONTROL, INTUITION, AND THE CASE FOR COMPREHENSIVE SOFTWARETipei, S. et al. | 2007
- 431
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SPED - A SOUND FILE EDITORUimonen, J. et al. | 2007
- 435
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SCRIPTING AND TOOLS FOR ANALYSIS/RESYNTHESIS OF AUDIOPope, S. et al. | 2007
- 437
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THE METHODOLOGY AND RESEARCH OF THE INTERACTIVE INTERMEDIA ART USING THE GYROSCOPE SENSOR FOR SOUND AND VISIONChen, Y.-T. / Huang, C.-F. et al. | 2007
- 441
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EXTRACTION OF GESTURAL MEANING FROM A FABRIC-BASED INSTRUMENTVan Nort, D. / Gauthier, D. / Sha, X.W. / Wanderley, M. et al. | 2007
- 442
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COMBINING PHYSICAL MODELING AND ADDITIVE SYNTHESIS AS A MAPPING STRATEGY FOR REALTIME CONTROLGuillemain, P. / Verfaille, V. et al. | 2007
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VIRTUAL OBJECTS AS MEDIATION BETWEEN SONIC TEXTURES AND INTERACTIVE GESTURESFilatriau, J.-J. / Arfib, D. / Glowinski, D. / Volpe, G. et al. | 2007
- 449
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THE SLIDING PHASE VOCODERBradford, R. / Dobson, R. / Ffitch, J. et al. | 2007
- 450
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EXCITATION SIGNAL EXTRACTION FOR GUITAR TONESLee, N. / Duan, Z. / Smith, J.O. et al. | 2007
- 453
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F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHODRauhala, J. / Valimaki, V. et al. | 2007
- 457
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ON WAVE FIELD SYNTHESIS AND ELECTRO-ACOUSTIC MUSIC - STATE OF THE ART 2007Baalman, M. et al. | 2007
- 458
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DIRECT DESIGN OF PARALLEL SECOND-ORDER FILTERS FOR INSTRUMENT BODY MODELINGBank, B. et al. | 2007
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CAUSAL/ANTICAUSAL DECOMPOSITION FOR MIXED-PHASE DESCRIPTION OF BRASS AND BOWED STRING SOUNDSD Alessandro, N. / Moinet, A. / Dubuisson, T. / Dutoit, T. et al. | 2007
- 466
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ARE COGNITIVE STYLES AN IMPORTANT FACTOR IN THE DESIGN OF ELECTROACOUSTIC MUSIC SOFTWARE?Eaglestone, B. et al. | 2007
- 469
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FEEDBACK INSTRUMENTS: GENERATING MUSICAL SOUNDS, GESTURES, AND TEXTURES IN REAL TIME WITH COMPLEX FEEDBACK SYSTEMSMorris, J.M. et al. | 2007
- 474
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BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONSPerez, M.A.O. / Knapp, B. et al. | 2007
- 477
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CONVOCARE_CONSONARE: A DUET IN FOUR VOICESGerhard, D. / Moffat, E. et al. | 2007
- 479
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USING TECHNOLOGY TO RIDE THE REFLEX/VOLITIONAL CONTINUUM IN IMPROVISED MUSICAL PERFORMANCESayer, T. et al. | 2007
- 484
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ON TIMBRE BASED PERCEPTUAL FEATURE FOR SINGER IDENTIFICATIONKhine, S.Z.K. / Nwe, T.L. / Li, H. et al. | 2007
- 485
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TRANSLATING DANCE MOVEMENT INTO MUSICAL RHYTHM IN REAL TIME: NEW POSSIBILITIES FOR COMPUTER-MEDIATED COLLABORATION IN INTERACTIVE DANCE PERFORMANCEGuedes, C. et al. | 2007
- 488
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FRACTURED SOUND, FRACTURED MEANINGS: A GLOVE-CONTROLLED SPECTRAL INSTRUMENTLitke, D. et al. | 2007
- 491
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SOUNDSPOTTER / REMIX-TV. FAST APPROXIMATE MATCHING FOR AUDIO AND VIDEO PERFORMANCECasey, M. / Grierson, M. et al. | 2007
- 492
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APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ARTPampin, J. / Kollin, J.S. / Kang, E. et al. | 2007
- 496
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PLACEMENT OF SOUND SOURCES IN THE STEREO FIELD USING MEASURED ROOM IMPULSE RESPONSESHaines, W. / Dannenberg, R. / Vernon, J. / Driessen, P. et al. | 2007
- 500
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TRAKHUE - INTUITIVE GESTURAL CONTROL OF LIVE ELECTRONICSPeters, N. / Evans, M. / Britton, E. et al. | 2007
- 504
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IMMERSION : AN IMMERSIVE DIGITAL APPLICATION FOR CREATIVE INTERACTION WITH SOUND ART ARCHIVESTaylor, J.M. et al. | 2007
- 508
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NN MUSIC: IMPROVISING WITH A `LIVING' COMPUTERYoung, M. et al. | 2007
- 512
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EFFECTS OF SOUND ON THE PERCEIVED SPEED OF HUMAN MOVEMENTAfanador, K. / Ingalls, T. / Campana, E. et al. | 2007