``Neither united nor separated'' Negotiating Difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey (English)
- New search for: Kramer, L.
- New search for: Gesellschaft fur die Neuen Englischsprachigen Literaturen
- New search for: Kramer, L.
- New search for: Meyer, Michael
- New search for: Gesellschaft fur die Neuen Englischsprachigen Literaturen
In:
Association for the Study of the New Literatures in English; Word & image in colonial and postcolonial literatures and cultures
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219-236
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2009
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ISBN:
- Conference paper / Print
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Title:``Neither united nor separated'' Negotiating Difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey
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Contributors:
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Conference:Conference, Association for the Study of the New Literatures in English; Word & image in colonial and postcolonial literatures and cultures ; 2009
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Published in:CROSS CULTURES ; 116 ; 219-236
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Publisher:
- New search for: Rodopi
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Place of publication:Amsterdam
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Publication date:2009-01-01
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Size:18 pages
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Remarks:"ASNEL Papers appear under the auspices of the Gesellschaft fur die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Prelim. p. Includes bibliographical references
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ISBN:
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Type of media:Conference paper
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Type of material:Print
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Language:English
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Keywords:
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Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 1
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Liberating the Strange Fish Visual Representations of Caliban and Their Successive Emancipation from Shakespeare's Original TextJaczminski, D. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 21
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Hogarth and the OtherWagner, P. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 47
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``The free treatment of topics usually taboo'd'' Glimpses of the Harem in Eighteenth- and Nineteenth-Century Literature and the Fine ArtsPlummer, P. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 69
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Tourist Places, Other Gazes Robert Louis Stevenson's EdinburghLemke, C. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 87
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``Picture is a Silent Talker'' (Apagya) African Studio Photography in the English ClassroomFeurle, G. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 107
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A Black and White Nation? The `New' South Africa in Zapiro's CartoonsAltnoder, S. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 125
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Zakes Mda's Representation of South African Reality in Ways of Dying, The Madonna of Excelsior and The Whale CallerWenzel, M. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 147
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Looking Out and Looking In The Dynamic Use of Words and Images in the Oeuvre of Breyten BreytenbachPlooy, H.d. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 167
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Whiteness as a Category of Literary Analysis Racializing Markers and Race-Evasiveness in J.M. Coetzee's DisgraceArndt, S. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 191
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``Just for show'' Visuality in Timothy Mo's The Monkey KingSpangenberg, A. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 205
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On Pickles, Pictures, and Words: Pick-torial Preservation and Verbal Self-Regeneration in Salman Rushdie's Midnight's ChildrenPetit, L. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 219
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``Neither united nor separated'' Negotiating Difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal PandeyKramer, L. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 237
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Transcultural Gender Interrogations in Bride and Prejudice Intertextual Encounters of the South Asian Diasporic KindVogt-William, C. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 261
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Missing in Act(i)on Asian-British Pop Music Between Resistance and CommercializationEmig, R. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 279
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Vernacular Landscape Narrative Space in Peter Carey's True History of the Kelly GangBrosch, R. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 305
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Regaining the Past and Shaping the Present Indigenous Children's Fiction from Aotearoa New Zealand, Canada, and the USAMoura-Kocoglu, M. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 327
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Between Words and Images Negotiating the Meaning of Home in Ken Lum's There Is No Place Like HomeSchroder, N. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009
- 353
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The Mass-Slaughter of Native Americans in Jim Jarmusch's Dead Man A Complex Interplay of Word and ImageGurr, J.M. / Gesellschaft fur die Neuen Englischsprachigen Literaturen et al. | 2009