6. Teaching Strategies Employed to Approach a Postmodern Opus. Recital I (For Cathy) by Luciano Berio (English)
- New search for: Iațeșen, Loredana Viorica
- New search for: Iațeșen, Loredana Viorica
In:
Review of Artistic Education
;
19
, 1
; 34-45
;
2020
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ISSN:
- Article (Journal) / Print
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Title:6. Teaching Strategies Employed to Approach a Postmodern Opus. Recital I (For Cathy) by Luciano Berio
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Contributors:Iațeșen, Loredana Viorica ( author )
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Published in:Review of Artistic Education ; 19, 1 ; 34-45
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Publisher:
- New search for: Sciendo
- New search for: ARTES
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Place of publication:Iași
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Publication date:2020
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ISSN:
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ZDBID:
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DOI:
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Type of media:Article (Journal)
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Type of material:Print
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Language:English
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Source:
Table of contents – Volume 19, Issue 1
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 1
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1. Period Influence on the Work of Johann Sebastian BachMedňanský, Karol et al. | 2020
- 10
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2. Achieving Harmony Through Music: A Comparison Between Ancient Greek and Chinese ThoughtMarisi, Rossella et al. | 2020
- 17
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3. Quo Vadis the Contemporary Music Criticism? (The First International Workshop of Journalism in Kalv, Sweden. Reflection, Orientation, Persuasion)Duţică, Luminiţa et al. | 2020
- 21
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4. The Enescian Pianistic Notes and Commentaries ($ 2^{st} $ part)Naie, Lăcrămioara et al. | 2020
- 29
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5. The Evaluation Between Partial and Impartial AttitudeCiobanu, Luminiţa et al. | 2020
- 34
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6. Teaching Strategies Employed to Approach a Postmodern Opus. Recital I (For Cathy) by Luciano BerioIațeșen, Loredana Viorica et al. | 2020
- 46
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7. Echoes of Romanticism in Violin and Piano Sonata No. 2, Op. 45 by Marcel Mihalovici - Analytical Landmarks for an Upscale InterpretationFlorea, Augustina et al. | 2020
- 58
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8. Gioachino Rossini, Voice Assemblies In The Opera IL Barbiere Di SivigliaFântână, Cristina Simionescu et al. | 2020
- 71
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9. Personal Conception on the Way of Interpreting the Area from Act I of the Opera La Bohéma – Si, Mi Chiamano Mimì by Giacomo PucciniUrsachi, Doina Dimitriu et al. | 2020
- 81
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10. Comparative Interpretative Analysis of David Mancini’s Work Suite for Solo Drumset and Percussion EnsembleStavrat, Constantin et al. | 2020
- 85
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11. The Vocal-Chamber Music Recital – Theoretical and Practical Aspects of an Interdisciplinary ApproachPetrescu, Cezara Florentina / Petrescu, Alexandru Radu et al. | 2020
- 93
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12. The Methodology of Music Education Lesson Completeness by Means of the Vocal-Choral Singing Dominant ActivityCaliga, Marina et al. | 2020
- 100
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13. The Systematic of the Characters from the Opera a Stormy Night by Paul ConstantinescuRadu-Țaga, Consuela et al. | 2020
- 110
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14. Nicolette Choral Piece by Maurice Ravel. Analysis and Interpretative ConceptBurduloi, Marta Otilia et al. | 2020
- 121
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15. Stylistic-Interpretative Analysis of the Creation for Guitar Solo by Heitor Villa Lobos (Preludes no. 1-4)Dragomirescu, Daniel et al. | 2020
- 134
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16. Trumpet and Orchestra Concert in D Major by Georg Philipp Telemann in Interpretation Vision of Wynton Marsalis and Rafael MéndezHorez, Iulian et al. | 2020
- 140
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17. The Level of Musical Competency Training: A Comparative Study of Full-Time and Distance StudentsNedelcuț, Nelida / Pop, Ciprian Gabriel / Chiorean, Ioana et al. | 2020
- 149
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18. Technical and Interpretive Considerations in the Third Sonata for Violin and Piano, OP. 45 by Edvard GriegIoniță, Raluca Dobre et al. | 2020
- 155
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1. Historical Evolution of Adagio (Analysis of the Choreographic Concept)Todi, Cristina et al. | 2020
- 165
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2. Motility in Sport-Artistic Activities – A Social PhenomenonLeșe, Ana-Cristina et al. | 2020
- 171
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3. Essential Aspects in the Creation of Means of Scenic Expressivity Specific to the Puppet ShowHuțanu, Raluca Bujoreanu et al. | 2020