‘No Hits, No Runs, Just Terrors’: Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s (English)
- New search for: Snelson, Tim
- New search for: Jancovich, Mark
- New search for: Maltby, Richard
- New search for: Biltereyst, Daniel
- New search for: Meers, Philippe
- New search for: Snelson, Tim
- New search for: Jancovich, Mark
In:
Explorations in New Cinema History
: Approaches and Case Studies
;
197-211
;
2011
-
ISBN:
- Article/Chapter (Book) / Electronic Resource
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Title:‘No Hits, No Runs, Just Terrors’: Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s
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Contributors:Maltby, Richard ( editor ) / Biltereyst, Daniel ( editor ) / Meers, Philippe ( editor ) / Snelson, Tim ( author ) / Jancovich, Mark ( author )
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Published in:Explorations in New Cinema History : Approaches and Case Studies ; 197-211
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Publisher:
- New search for: Wiley‐Blackwell
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Place of publication:Oxford, UK
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Publication date:2011-04-08
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Size:14 pages
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ISBN:
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DOI:
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Type of media:Article/Chapter (Book)
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Type of material:Electronic Resource
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Language:English
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Keywords:The Rialto, example of a cinema ‐ imbued with character, venue for cult movie scenes , Arthur Mayer, and the Rialto against Hollywood ‐ othering of femininity, subcultural tastes , Mayer, and the Rialto's programming ‐ ‘better pictures’ for a new movie‐going public , success of Rebecca (1940), women's films ‐ as horror films, featuring female leads , Mayer's cultivation of disreputable image ‐ puns and plays on words , film exhibition history, and shared pleasures ‐ the Balaban and Katz chain, successful and imitated exhibitors of 1920s , exhibition practices of Rialto Cinema in Times Square, New York ‐ opposition to Balaban and Katz chain , Mayer's new Art Moderne theatre ‐ distinguished, by its minimalism, utilitarianism and restraint , venues and their publics ‐ ‘no hits, no runs, just terrors’ exhibition, cultural distinctions and cult audiences at Rialto Cinema, 1930s and 1940s , the theatre, bought by local impresario ‘Roxy’ Rothafel ‐ the Rialto as New York's first stageless motion picture house
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Source:
Table of contents eBook
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 1
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New Cinema HistoriesMaltby, Richard et al. | 2011
- 41
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Reimagining the History of the Experience of Cinema in a Post‐Moviegoing AgeAllen, Robert C. et al. | 2011
- 58
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Putting Cinema History on the MapKlenotic, Jeffrey et al. | 2011
- 85
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What to Do with Cinema Memory?Kuhn, Annette et al. | 2011
- 99
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Social Class, Experiences of Distinction and Cinema in Postwar GhentBiltereyst, Daniel / Meers, Philippe / Van de Vijver, Lies et al. | 2011
- 125
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Distribution and Exhibition in The Netherlands, 1934–1936Pafort‐Overduin, Clara et al. | 2011
- 140
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Patterns in First‐Run and Suburban Filmgoing in Sydney in the Mid‐1930sSedgwick, John et al. | 2011
- 159
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From Hollywood to the Garden Suburb (and Back to Hollywood)Walsh, Mike et al. | 2011
- 171
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Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and outside the United States Since the 1970sKrämer, Peter et al. | 2011
- 185
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Blindsiding: Theatre Owners, Political Action and Industrial Change in Hollywood, 1975–1985Overpeck, Deron et al. | 2011
- 197
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‘No Hits, No Runs, Just Terrors’: Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940sSnelson, Tim / Jancovich, Mark et al. | 2011
- 212
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Going Underground with Manny Farber and Jonas Mekas: New York's Subterranean Film Culture in the 1950s and 1960sStanfield, Peter et al. | 2011
- 226
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Searching for the Apollo: Black Moviegoing and Its Contexts in the Small‐Town US SouthKnight, Arthur et al. | 2011
- 243
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Film Distribution in the Diaspora: Temporality, Community and National CinemaVerhoeven, Deb et al. | 2011
- 261
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The Social Biograph: Newspapers as Archives of the Regional Mass Market for MoviesMoore, Paul S. et al. | 2011
- 280
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Modernity for Small Town Tastes: Movies at the 1907 Cooperstown, New York, CentennialFuller‐Seeley, Kathryn et al. | 2011
- 295
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Silent Film Genre, Exhibition and Audiences in South IndiaPutnam Hughes, Stephen et al. | 2011
- 310
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The Last Bemboka Picture Show: 16 mm Cinema as Rural Community Fundraiser in the 1950sBowles, Kate et al. | 2011
- 322
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Index| 2011
- i
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Front Matter| 2011