The Stages `Occupied by Shakespeare': Intercultural Performances and the Search for `Korean-ness' in Postcolonial Korea (English)
- New search for: Moran, K.
- New search for: Moran, K.
- New search for: Trivedi, P.
- New search for: Minami, R.
In:
Replaying Shakespeare in Non-Western Theatre Forms
2
;
200-220
;
2010
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ISBN:
- Conference paper / Print
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Title:The Stages `Occupied by Shakespeare': Intercultural Performances and the Search for `Korean-ness' in Postcolonial Korea
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Contributors:
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Conference:Conference, Replaying Shakespeare in Non-Western Theatre Forms ; 2006 ; Brisbane, Australia
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Published in:Replaying Shakespeare in Non-Western Theatre Forms , 2 ; 200-220ROUTLEDGE STUDIES IN SHAKESPEARE , 2 ; 200-220
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Publisher:
- New search for: Routledge
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Place of publication:London
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Publication date:2010-01-01
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Size:21 pages
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Remarks:Includes bibliographical references and index
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ISBN:
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Type of media:Conference paper
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Type of material:Print
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Language:English
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Keywords:
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Source:
© Metadata Copyright the British Library Board and other contributors. All rights reserved.
Table of contents conference proceedings
The tables of contents are generated automatically and are based on the data records of the individual contributions available in the index of the TIB portal. The display of the Tables of Contents may therefore be incomplete.
- 21
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Other Shakespeares in Asia: An OverviewBrandon, J. et al. | 2010
- 41
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Asian Theatres, Mnouchkine, and Shakespeare: The Search for a Theatrical FormSingleton, B. et al. | 2010
- 54
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Shakespeare and the Indian Image(nary): Embod(y)ment in Versions of A Midsummer Night's DreamTrivedi, P. et al. | 2010
- 76
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``What, has this thing appear'd again tonight?'': Re-playing Shakespeares on the Japanese StageRyuta, M. et al. | 2010
- 97
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Fooling with Lear: A Performance History of Suzuki Tadashi's King Lear (1984-2006)Carruthers, I. et al. | 2010
- 119
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Six People in Search of ``To be or not to be...'': Hamlet's Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese StageRuru, L. et al. | 2010
- 141
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Is This Shakespeare? Inoue Hidenori's Adaptations of ShakespeareYukari, Y. et al. | 2010
- 157
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From Proscenium to Paddy Fields: Utpal Dutt's Shakespeare JatraGupta, T. et al. | 2010
- 181
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And Never the Twain Shall Meet? Shakespeare and Philippine Performance TraditionsIck, J.C. et al. | 2010
- 200
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The Stages `Occupied by Shakespeare': Intercultural Performances and the Search for `Korean-ness' in Postcolonial KoreaMoran, K. et al. | 2010
- 221
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Shakespeare in the Shadows: Cultural Alienation, Politics, and Eddin Khoo's Shadow Puppet Adaptation of MacbethAbdullah, N.F.L. / Lim, C.S. et al. | 2010
- 235
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The Peripheral Body of Empire: Shakespearean Adaptations and Taiwan's GeopoliticsPeichen, W. et al. | 2010
- 251
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``No World without Verona Walls''? Shakespeare in the Provincial Cultural MarketplaceHuang, A.C.Y. et al. | 2010
- 271
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Dancing to Shakespeare: Crossing Genre and Gender in the TragediesChakravarti, P. / Ganguly, S. et al. | 2010
- 291
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``Living in a Different House'': A Gambuh Macbeth in BaliEmigh, J. et al. | 2010
- 308
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``O Heavy Lightness, O Serious Vanity'': Camping Romeo and Juliet in Postcolonial TaiwanLei, B.-Q.B. et al. | 2010